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Percival Henry: The Fantastic Four and more

Tag Archives: Alicia Masters

“The World’s Greatest Comic Magazine!” Fantastic Four No. 67

05 Tuesday Jul 2022

Posted by percivalhenry in The World's Greatest Comic Magazine

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Alicia Masters, Fantastic Four, Fantastic Four 67, Him, jack Kirby, Stan Lee


Fantastic Four 67
“When Opens the Cocoon!”
Published: July 1967
Script: Stan Lee
Pencils: Jack Kirby
Inks: Joe Sinnott
Letters: Artie Simek
Cover: Kirby and Sinnott

Synopsis

Picking up where last issue left off, Fantastic Four 67 begins with Mr. Fantastic building a replica of the wrist-band teleportation device used by the Beehive scientist who abducted Alicia Masters, as the Thing looks on and frets.

Meanwhile, in the caves beneath the Beehive, Alicia approaches the cocoon containing the life form created by the Beehive scientists (later called the Enclave) as Hamilton, one of the scientists, is trapped by tentacles. As she did with the Silver Surfer, Alicia senses the humanity within the creature and is drawn to it even while the other scientists scheme to launch it into space.

Back at the Baxter Building, a haggard Reed has finished his device, and (inexplicably) orders Sue and Crystal to remain behind while he, Ben and Johnny rescue Alicia. The three activate the device and step through the portal it creates. They fight their way through the Beehive, while Alicia and Hamilton confront the cocoon. As Hamilton confesses that he and the others planned to create a new race of human to rule over humanity, the creature in the cocoon lashes out with a burst of energy, killing him. Finally, the three members of the FF scoop up and Alicia and escape through the portal while the creature, later called Him, emerges and confronts the scientists that created him.

What’s going on here?

FF 67 is notable as the first appearance of Him—although he is never called that in the comic, just on the cover—who later is transformed into Adam Warlock by the High Evolutionary. According to Brian Cronin, in CBR, Kirby originally intended the scientists to be virtuous, and killed when their creation turned against them. Apparently it was Lee who made the scientists evil and their creation virtuous.

Since it’s hard to imagine the heroic Adam Warlock starting off as an evil monster, it was probably just as well.

I confess Warlock is a character I have rarely encountered as a reader or collector. By the early 1980s, when I first began reading comics, he had for several years essentially been retired, living inside the “soul gem,” one of the infinity stones. By the time he emerged for the Infinity Gauntlet and other subsequent stories, I had more or less moves on from comics. There’s no doubting, however, that he occupies a major role as one of Marvel’s cosmic heroes—maybe its most cosmic—and he’s expected to play a role in the upcoming Guardians of the Galaxy 3.

Marvel Premiere 1 (Gil Kane/ Dan Adkins)
Warlock 4 (Kane/Tom Suttton)


About that cocoon

It’s hard not to notice the similarity between the cocoon in FF 67 and those in the 1985 movie Cocoon.


The sexist sixties

Reed’s behavior here seems particularly egregious. There’s no reason Sue shouldn’t accompany the rest of the team, and there’s even less reason for Crystal to stay behind to look after her.


Clobberin’ time

Ben, worried sick about Alicia, is particularly motivated to clobber.


Stan the Man

Some goofiness from Stan, here:

and with an Irving Forbush reference here:

buried in this splash page image here:.


Five o’clock shadow

Reed is look pretty rough here (although it foreshadows the beard he’ll grow in about 600 issues from now)


Dig that Kirby Krackle

I love this schematic diagram:

and the evil scientists’ secret lair:

This whole page is pretty incredible:


Also on newsstands

In July 1967


Next issue: Fantastic Four Annual 5 and the Psycho-Man!

“The World’s Greatest Comic Magazine!” Fantastic Four No. 66

26 Sunday Jun 2022

Posted by percivalhenry in The World's Greatest Comic Magazine

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1967, Alicia Masters, Enclave, Fantastic Four, Fantastic Four 66, jack Kirby, Stan Lee

Fantastic Four 66
“What Lurks Behind the Beehive?”
Published: June 1967
Story: Stan Lee and Jack Kirby
Script: Lee
Pencils: Kirby
Inks: Joe Sinnott
Letters: Artie Simek
Cover: Kirby and Sinnott

Synopsis

Fantastic Four 66 opens with the Thing, Mr. Fantastic and the Invisible Woman in the apartment of Alicia Masters, the girlfriend of the Thing who, unbeknowst to the FF, disappeared with a stranger in the last issue. A paranoid Ben suspects she might be with another man because he is so monstrous, and when Reed tries to console him, Ben lashes out and flees to Central Park, only to be cheered up by adoring fans.

Meanwhile, Alicia has been summoned by a group of scientists in exile (later called the Enclave) whose headquarters resembles a beehive (sort of), giving the issue its title. They ask her to demonstrate her sculpting ability, then explain they been working to perfect humanity and have created a specimen in a “life-cell” tank. Their creation has now reached adulthood, but has escaped his container and now emits blinding light. The scientists want Alicia—who, being blind, is impervious to the light—to capture his image in clay for them.

Back in New York, Reed uses his “heat image tracer” to capture Alicia last movements in her apartment, and its revealed she left with one of the Beehive scientists. The issue ends with Alicia and one of the scientists entering the chamber to confront the creation, while Reed and the rest of the FF vow to track her down.


What’s going on here?

FF 66 is a slightly unusual issue, but an enjoyable one. It’s almost entirely a place-setter for the issue to come, with very little that is resolved in this issue. There’s no real conflict, save the squabble between Reed and Ben, and it violates one of the cardinal rules of superhero comics in that there isn’t at least one fight. Nonetheless, the issue is pretty effective. The Enclave scientists are mysterious, their project is audacious and creepy, and the suspense—what have they created?—is genuine. The story reads like a classic work of adventure science fiction (which it is).

The story also centers Alicia, who shows more agency that normal. She’s still at the mercy of other directing her actions, but here she at least she’s able to demonstrate her sculpting abilities and her blindness doesn’t prevent her from venturing into the vault to confront the creature.

Who are these guys?

Helpfully, the bad guys tell us their names. Then, in the next panel, they do it again!

The Enclave reappear as manipulative villains over the years. A bunch of unimpressive looking white guys, they benefit significantly from the snazzy uniforms Kirby gives them. Here they are again in 1995:

Spider-Man Team-Up 7 (1995, Kurt Busiek, Sal Buscema and Dick Giordano)


The agony of Ben Grimm

It’s been a while since we had Ben in full-on torment over his appearance. As is often the case, it’s his relationship with Alicia that pushes him over the edge.

Unusually, in this issue he is comforted by strangers:


They’re fighting again

As discussed, the provocation this time is Ben’s frustrations and insecurity regarding Alicia


Weird science

The heat-image tracer!


Mid-century modern

I love how Alicia decorates her apartment.

Ladies and gentlemen, I give you Joe Sinnott

Dig that Kirby Krackle

Scientist bad guys gives Jack a lot of opportunity to draw the high-tech gizmos he loves.

Here’s some other cool panels:


Also on the newsstands

In June 1967


Next issue: The debut of Him!

“The World’s Greatest Comic Magazine” Fantastic Four No. 8

20 Saturday Feb 2021

Posted by percivalhenry in The World's Greatest Comic Magazine

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1962, Alicia Masters, Fantastic Four, Fantastic Four 8, jack Kirby, Puppet Master, Stan Lee

Fantastic Four 8
“Prisoners of the Puppet Master”
Published: August 1962
Story: Stan Lee and Jack Kirby
Script: Lee
Pencils: Kirby
Inks: Dick Ayers (uncredited)
Cover: Kirby and Ayers

Synopsis

The Fantastic Four squabble after the rest of the team keeps the Thing from learning what Reed is working in in his lab (eventually revealed to be a cure for his condition). Later, the team rescues a man, under the thrall of the Puppet Master, who attempts suicide by jumping from a bridge. Thwarted, the Puppet Master takes control of the Thing, and later captures the Invisible Girl. He sends Alicia Masters, his blind step-daughter, disguised as Sue back with the Thing to capture the rest of the team, but Ben stumbles into Reed’s chemicals, reverting him back to human form and breaking the Puppet Master’s mind control.

Meanwhile, the Puppet Masters is using his puppets to engineer a jailbreak (apparently as a test of his abilities although it’s never really made clear). The FF rescue Sue and foil the jailbreak, although the Puppet Master evades capture. Reunited with Alicia, he reveals his plan to use his puppets to make him ruler of the world. Horrified, she grabs at his puppet and as he trips, he plummets out a window, seemingly to his death

What’s going on here?

Fantastic Four 8 introduces Phillip Masters, who as the Puppet Master will be a recurring villain, and more significantly, his step daughter, Alicia. Alicia Masters becomes one of the team’s most consistent supporting characters, first as the Thing’s girlfriend and much later, his wife. She develops into a renown sculptor (although her works are invariably shown as fairly uninteresting depictions of Marvel heroes) and often served as a babysitter to young Franklin Richards when the team went on a mission. She also, unfortunately, filled in for Sue as the requisite hostage of the super villains after the Invisible Woman evolved past that role.

After many twists and turns in their relationship—including a period where she left Ben for Johnny in the 1980s, a betrayal later retconned as the actions of Lyja, a Skrull in disguise (the less said about that the better)—the two finally got hitched in 2018’s FF No. 5:

It’s clear Stan and Jack had long-term plans for Alicia as early as issue 8, as she and the Thing quickly develop feelings for each other:

Alicia, disguised as Sue

The Thing/Ben/Alicia dynamic becomes fraught over the years. It begins with the Beauty-and-the-Beast cliche, and the story-telling crutch of her blindness, because of course only a blind woman could love the Thing. Later writers, notably John Byrne, investigate whether Ben’s psychological need for Alicia’s love has prevented him from reverting back to human form. The seeds of that storyline were introduced here in issue 8, as Ben reverts back to the Thing after temporarily turning human

Byrne runs with that idea in issue 245, while giving Reed a convenient explanation for why all his attempts to return Ben to human form failed:

About that clay

Phillip Master’s puppet powers derive from radioactive clay (another reminder of how in the ’60s, radioactivity was an all-purpose bestower of super powers), but it’s a little unclear how it actually works. Usually, he needs to mold a clay form of a living person to manipulate them, sort of like a voodoo doll.

But here he has sculpted a flying, jet-propelled horse, which seems to work just fine without him using a small version of it.

And then he plans to rule the world by sculpting himself as its king. Would he manipulate himself?

They’re fighting again

After skipping last issue, Ben and Johnny pick right up where they left off:

The sexist sixties

Sue is, of course, captured by the bad guy, for the fourth time in the first eight issues.

What year is it?

For the first time, the year is mentioned, which will become a problem for continuity hounds as Marvel’s sliding time scale means these issues no longer take place in the ’60s.

Dig that Kirby Krackle

Some great stuff from Jack in this issue.

The Incredible Mr. Fantastic

Reed finds a new use for his powers.

Pin up

Johnny gets another pin up, this one offering scientific explanations for his powers and costume (I love the image of the unstable molecules).

For sale

A mint copy of FF 8 will cost you about $130,000.

Next issue: The return of the Sub-Mariner!

  • “The World’s Greatest Comic Magazine!” Fantastic Four Annual No. 15
  • “The World’s Greatest Comic Magazine!” Fantastic Four No. 223
  • “The World’s Greatest Comic Magazine!” Fantastic Four No. 222
  • “The World’s Greatest Comic Magazine!” Fantastic Four No. 221
  • “The World’s Greatest Comic Magazine!” Fantastic Four No. 220
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“The World’s Greatest Comic Magazine!” Fantastic Four Annual No. 15

“The World’s Greatest Comic Magazine!” Fantastic Four Annual No. 15

percivalhenry's avatar by percivalhenry July 18, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 223

“The World’s Greatest Comic Magazine!” Fantastic Four No. 223

percivalhenry's avatar by percivalhenry July 14, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 222

“The World’s Greatest Comic Magazine!” Fantastic Four No. 222

percivalhenry's avatar by percivalhenry July 5, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 221

“The World’s Greatest Comic Magazine!” Fantastic Four No. 221

percivalhenry's avatar by percivalhenry June 25, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 220

“The World’s Greatest Comic Magazine!” Fantastic Four No. 220

percivalhenry's avatar by percivalhenry June 15, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 219

“The World’s Greatest Comic Magazine!” Fantastic Four No. 219

percivalhenry's avatar by percivalhenry June 7, 2026

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