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Percival Henry: The Fantastic Four and more

~ Blogging the Fantastic Four issue by issue (plus whatever else grabs my attention)

Percival Henry: The Fantastic Four and more

Monthly Archives: April 2026

“The World’s Greatest Comic Magazine!” Fantastic Four No. 215

26 Sunday Apr 2026

Posted by percivalhenry in The World's Greatest Comic Magazine

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1979, Blastaar, Fantastic Four, Fantastic Four 215, John Byrne, marv wolfman, Marvel, Marvel comics

Fantastic Four 215
“Blastaar!”
Published November 1979
Writer: Marv Wolfman
Pencils: John Byrne
Inks: Joe Sinnott
Letters: Joe Rosen
Colors: Carl Gafford
Editor: Wolfman
Cover: Ron Wilson and Joe Rubenstein


Synopsis

The issue opens with the Fantastic Four battling an explosion in the lab of Dr. Randolph James, a friend of Reed’s, whose experiments into evolution are going haywire. Meanwhile, Blastaar enters the Baxter Building from the Negative Zone, and the FF rush to confront him. A long battle ensues, and Blastaar escapes. Reed then gets a call from Dr. James, who has been assaulted and needs help. When Reed arrives he find James has used his evolutionary device to evolve himself into an advanced being.


What’s going on here?

This issue took me by surprise. This is Marv Wolfman’s last issue as a full writer of the FF (he just plots the next issue), and following the very long and elaborate Sphinx/Galactus arc and Annual 14, I just assumed he would mail it in with a by-the-numbers story. Instead, this is one of the best issues of Wolfman’s FF run, as the slightly odd Dr. James subplot delivers a genuine surprise at the end. We knew something was up with him but I will fully admit I was not expecting him to turn into this:

Instead of the main event in this comic, Blastaar then serves as a mildly interesting distraction. Of the two main Negative Zone villains, Annihilus is by far the more compelling, and Blastaar mostly takes up space. Here, Wolfman takes advantage of that to occupy the FF (and the readers) with a satisfying fight scene before the big reveal. (Although it should be said we never get an explanation of how Blastaar can just stroll in from the Negative Zone). Overall the issue is well paced with nice moments of character development, while Byrne and Sinnott do an outstanding job on the art.

The cover is by Ron Wilson and Joe Rubenstein, who is making his Fantastic Four debut. Rubenstein will go to have an incredibly long and prolific career, inking just about every comic character created by Marvel or DC, but never had a steady run on the FF.


What I liked

This issue reveals how good Byrne is at constructing action sequences (as if we had much doubt), like in these panels. Note how the perspective changes in the bottom three panels to create the illusion of Blastaar falling.


It’s not just action, where Byrne excels, either. I really like this quiet sequence, where the dynamic shifts in angles keeps our attention in what could have been a few dull, expository panels.


And I really liked this image:


What I didn’t like

It’s been a while since we had a Reed-is-a-Jerk moment, but Wolfman gives us one on his way out:


James’s assault doesn’t make much sense. These thugs just show up because they hear he’s a scientist? And it happens very conveniently just after the FF’s visit.


This is a great splash page but it reminds me that whenever Blastaar appears, he seems anatomically lacking in, ahem, certain respects. Note the cover as well. Maybe that’s why he’s so mad all the time.


Lastly, Wolfman cannot let the Herbie subplot drop:


Anything else?

This ad is awesome. I am pretty sure I had the Hammerhead action figure.


Overall

A pretty good comic book

“The World’s Greatest Comic Magazine!” Fantastic Four Annual No. 14

19 Sunday Apr 2026

Posted by percivalhenry in The World's Greatest Comic Magazine

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1979, Agatha Harkness, Annual, Fantastic Four, Fantastic Four Annual 14, George Perez, marv wolfman, Marvel, marvel-comics, Salem's Seven

Fantastic Four Annual 14
“Cat’s-Paw!”
Published October 1979
Story: Marc Wolfman and Geore Perez
Pencils: Perez
Inks: Pablo Marcos
Letters: Jim Novak
Colors: Carl Gafford
Editor: Wolfman
Cover: Joe Sinnott

Synopsis

After a brief battle with Sandman, the Fantastic Four return to the Baxter Building to find Agatha Harkness, who convinces the team plus Franklin to accompany her to New Salem for her annual visit. Meanwhile, a group of Salem witches is plotting to restore Nicholas Scratch — defeated by his mother, Harkness, and the FF in issue 186 —and then reveal themselves to be Salem’s Seven. They battle and subdue the FF, but Franklin escapes and is found by Harkness. Back in New York, Salem’s Seven harnesses the powers of the unconscious FF in order to summon Scratch, creating a powerful force field around the Baxter Building that resists the military and the Avengers. With Franklin, Harkness withstands Scratch’s assaults and once in the Baxter Building, Franklin’s latent powers restore the hostile, mind-controlled FF back to normal. Harkness then defeats Salem’s Seven and prevents Scratch from returning to Earth.


What’s going on here?

This is a big, fun, rollercoaster of an annual that only barely makes sense and is held together by George Perez’s amazing layouts and pencils. He is ably assisted by Pablo Marcos on inks, who has a nice light touch. If Perez had not worked on this book I would likely have a much lower opinion of it but thankfully we’ll never know. More on this great art in a bit.

Like a lot of annuals, this story feels a bit padded, particularly the opening sequence with Sandman, which serves no real purpose. It’s filled out at the end with a series of pinups. The story hinges entirely on the FF’s impromptu decision to join Harkness, and she ultimately is the hero of the story. After they are captured, the FF are barely players in their own annual.

This annual brings back Salem’s Seven, a fun group of villains who are surprisingly underused. They only appear a handful of times after this issue, despite seemingly tailor-made for fighting other super teams. Couldn’t the X-Men have fought these guys?


Also of note, the cover is by Joe Sinnott working solo, which is rare. It’s unfortunately not a particularly exciting or interesting cover, and my guess is Perez either couldn’t deliver his cover on time or it was rejected by Jim Shooter, necessitating a quick fill-in job by Sinnott.


What I liked

This is the first comic I’m aware of where we really see Perez’s layout innovations take hold. He was a master of propelling the story with panel designs, and often can fit seven, eight or nine on a page without it feeling cramped (most artists don’t exceed six). We can see the beginnings of that here, where he uses the bottom panel on four consecutive pages (I can only show three here) to introduce the main plot of the story through the sinister villainy of Salem’s Seven. Another artist might gave simply broken away from the main action and used four contiguous panels, but by using one panel per page, Perez undergirds the FF’s triumph over the Sandman with a portent of menace.


Here’s another page where Perez creates simultaneous action through page design. The small light blue panels show the machinations of the villains at the same time Harkness invites the FF to the evening’s big event. It’s a technique unique to comics; the movie or TV equivalent would be a picture-in-picture with separate characters and dialogue, which would be awful (you do sometimes see this in sports, but it’s hard to watch).

Perez uses 10 panels on this page, and it allows him to give the readers a sense of New Salem’s weirdness while advancing the plot.

The high point of Perez’s panel wizardry was probably Crisis on Infinite Earths, six years later, where he had roughly a zillion characters to include and a lot of story to tell. Here, in issue seven, he uses an insane 16 panels to record the death of Supergirl.

Today, one wide-screen artist like Brian Hitch would probably use half of a comic for the same sequence.

There’s lots of other great Perez art FF Annual 14, too, like this crazy double page splash:

Although the design is pretty rudimentary, with its one-point perspective, it’s full of fun details, like Johnny making time with a New Salem native (later revealed to be a succubus) and Franklin and Sue (and what is Sue wearing on her head??)


While this issue (and blog post) is really about Perez, Marv Wolfman has his moments. This was a fun sequence that followed the team thwarting the Sandman’s bank robbery and getting a kitten-themed calendar for their troubles:


And to finish up, just a few more amazing pages from Perez (the one with Avengers is stunning):


What I didn’t like

This being a Wolfman comic, there were all sort of odd plot devices and inconsistencies that seems could have been avoided with a bit of thought or (cough) an editor (cough) who wasn’t the same person as the writer.

Here, Harkness invites the FF to join her on a trip across the country and they decide to drop everything and go. Apparently world-class scientists like Reed don’t have meetings or lectures or experiments that keep him tied down. Would it have ruined the story to have made this a trip they planned in advance?

Then, instead of flying one of their several vehicles, they fly commercial. Because who doesn’t like an easily avoidable trip to the airport? (Also, note Reed is smoking a pipe on the plane. It was the seventies).


Later, the Salem witch Gazelle announces she’s a “beast of prey.” Really? Her name is Gazelle and she’s a predator??

And this feels like an own-goal, but when the Defenders show up and Iron Man says they’re helpless against this mystical, magical forcefield, it kinda begs the question about a certain missing Defender. Wears a cape. Lives in the village. Sometimes called the Sorcerer Supreme. Maybe he could have helped.

Anything else?

The pinups in the end are by Keith Pollard and Marcos. It’s called a gallery of the FF’s most famous foes but most of these guys are pretty obscure (there were six in total). I like that they each get a custom designed logos.



Overall

A Perez triumph!

“The World’s Greatest Comic Magazine!” Fantastic Four No. 214

11 Saturday Apr 2026

Posted by percivalhenry in The World's Greatest Comic Magazine

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1979, Fantastic Four, Fantastic Four 214, Joe Sinnott, John Byrne, marv wolfman, Marvel, Marvel comics, Skrulls

Fantastic Four 214
“…and then there was — ONE!”
Published October 1979
Writer: Marv Wolfman
Pencils: John Byrne
Inks: Joe Sinnott
Letters: John Costanza
Colors: Carl Gafford
Editor: Wolfman
Cover: Byrne and Sinnott


Synopsis

The Human Torch, distraught that the rest of his team is approaching death after succumbing to the effects of the Skrull aging ray, goes on a desperate hunt to find a cure— first seeking out Tony Stark, then the Xandarians — but to no avail. Back at the Baxter Building, Johnny is attacked by Skrull X, who, like the Super-Skrull, can mimic the powers of the FF. Johnny defeats him (and reveals he was a robot) but realizes the skrull’s aging ray can be reverse engineered to revive his teammates. He wakes Reed from his “cryonics tube” and helps the very elderly Mr. Fantastic alter the device. Johnny is initially devastated when there is no result but is soon reunited with the rest of the team, now stronger than ever.

What’s going on here?

A good chunk of this issue wallows in the Torch’s self-pity, which is pretty tedious. But despite that, it’s a very good comic, and a solid ending to the Xandar/Sphinx/Galactus arc. There is real dramatic tension as the Torch tries to find a cure, and the fight with Skrull X feels almost desperate (particularly after Johnny incinerates the skull before learning it was a robot). Waking Reed from his death bed also felt like a grim, last-chance gambit. And while there wasn’t much doubt the FF would be saved — the comic does continue after this issue — it’s a sign of successful story telling that there is suspense at all.

This issue concludes what is the FF’s longest story arc to date, one that kicked off in issue 204, 10 issues ago. It suffered from a meandering beginning, and a confusing and unnecessary cast of characters imported from Marv Wolfman’s canceled Nova book. It picked up steam when the Sphinx grew in power and the FF sought out Galactus, which introduced Terrax. But that story element landed with a thud last issue, and while issue 214 resolves the aging-skull-ray storyline more gracefully, it doesn’t exactly salvage the whole arc.

What I liked

Johnny’s fight with Skrull X is probably the highlight of the book. It’s really everything you want in a comic fight: dynamic action, equally matched opponents, high stakes and not overly long. John Byrne really nails this one.

I also enjoyed Johnny’s search for Tony Stark, which takes him to Avengers Mansion (with an amusing cameo from Jarvis) and then the SHIELD Helicarrrier. I’m a fan of these brief interactions with the rest of the Marvel universe. All these characters know each other; they shouldn’t only get together for a major team up or cross over.


And while it was predictable, I liked the reunion of the Torch and the newly revived FF.


Lastly, Byrne and Joe Sinnott delivered some great sequences, like this one (dig that Kirby Krackle):

And this one:


What I didn’t like

As mentioned, Johnny’s moping around is maudlin and unbecoming. Unfortunately, Wolfman seems to love this sort of pathos, because we got a lot of it the Teen Titans

It starts on the first page:


And gets worse from there:

I’ll spare you the rest.

Anything else?

A variety of fun ads. I distinctly remember learning the word “akimbo” from the gum ad when I first encountered it as a kid. Also, why does Superman need an airplane (much less a van).



Overall

Solidly above average.

  • “The World’s Greatest Comic Magazine!” Fantastic Four Annual No. 15
  • “The World’s Greatest Comic Magazine!” Fantastic Four No. 223
  • “The World’s Greatest Comic Magazine!” Fantastic Four No. 222
  • “The World’s Greatest Comic Magazine!” Fantastic Four No. 221
  • “The World’s Greatest Comic Magazine!” Fantastic Four No. 220
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“The World’s Greatest Comic Magazine!” Fantastic Four Annual No. 15

“The World’s Greatest Comic Magazine!” Fantastic Four Annual No. 15

percivalhenry's avatar by percivalhenry July 18, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 223

“The World’s Greatest Comic Magazine!” Fantastic Four No. 223

percivalhenry's avatar by percivalhenry July 14, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 222

“The World’s Greatest Comic Magazine!” Fantastic Four No. 222

percivalhenry's avatar by percivalhenry July 5, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 221

“The World’s Greatest Comic Magazine!” Fantastic Four No. 221

percivalhenry's avatar by percivalhenry June 25, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 220

“The World’s Greatest Comic Magazine!” Fantastic Four No. 220

percivalhenry's avatar by percivalhenry June 15, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 219

“The World’s Greatest Comic Magazine!” Fantastic Four No. 219

percivalhenry's avatar by percivalhenry June 7, 2026

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