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~ Blogging the Fantastic Four issue by issue (plus whatever else grabs my attention)

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Monthly Archives: February 2025

“The World’s Greatest Comic Magazine!” Fantastic Four No. 163

23 Sunday Feb 2025

Posted by percivalhenry in The World's Greatest Comic Magazine

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1975, Fantastic Four, Fantastic Four 163, Gaard, Marvel comics, Roy Thomas

Fantastic Four 163
“Finale!”
Published July 1975
Writer: Roy Thomas
Pencils: Rich Buckler
Inks: Joe Sinnott
Letters: Joe Rosen
Colors: Don Warfield
Editor: Thomas
Cover: Bucker and Sinnott

Synopsis

In hyperspace, the Thing battles Arkon’s champion Gaard, who is trying to prevent Ben from closing a window that would allow a nuclear war on three realities to power Arkon’s world. Meanwhile, Johnny and Reed Richards from an alternative Earth, whom in that world became the Thing, battle and defeat Arkon. With the help of Mr. Fantastic, Ben defeats Gaard, who is revealed to be a mind-controlled Johnny Storm of that world.


What’s going on here?

When I first began this blog, I was eager to read through the legendary Lee / Kirby run, and to revisit the Byrne run, my first introduction to the Fantastic Four. But I was apprehensive about the issues in between, from FF 103 to 231, which — despite the work of stellar artists like John Buscema and George Perez — seemed like a repository of a lot of mediocre dreck. And symbolic of that mediocrity to me was Gaard, a villain I knew only from the cover but that seemed utterly ridiculous and unworthy of the grandeur of the Fantastic Four. The team that battled Dr. Doom and Galactus is now fighting an outer-space hockey goalie? Seriously?

After reading this comic, my worst fears were confirmed. This is, in fact, a pretty lame issue and Gaard is silly concept, an apparent ripoff of the Silver Surfer and Black Racer, two Jack Kirby-designed characters that travel through space with sports-like apparatus. As Gaard fights Ben, there are sports-adjacent references aplenty, from Ben having to wear skate-like devices to move through hyperspace to the puck-like gizmo he needs to hurtle through Gaard’s “goal.” The sportsball nature of it all is summed up here:

I couldn’t find any documentation about the creation of Gaard, just a comment in a blog that Roy Thomas intended him as a parody of Black Racer and that he later regretted using such a silly concept in a story with a heavier tone. Which make sense, but it’s unfortunate because up until this comic, the four-issue arc was actually pretty fun, with a zillion of Thomas’s ideas colliding and heading toward what could have been a satisfying ending. But the result is an anti-climactic finish that feels slapped together, with both Reed and Sue on the sidelines, Johnny and Earth-2 Reed defeating Arkon without too much trouble and, as seen above, the nexus closing with a whimper.

My only hope is that this comic is the low point of the stretch between Lee / Kirby and Byrne, and everything from here is an improvement.

One more note: Don Warfield is credited as colorist, his first and as far as I can tell, last Fantastic Four credit.

What I liked

Gaard’s dialogue is just completely over the top and bombastic. Not sure where he learned to talk like this, particularly if he’s that Earth’s version of Johnny.


This reunion between Ben and Alicia was sweet and fun.


What I didn’t like

Alongside the aforementioned Gaard nonsense is the question of his identity, which is hinted at by both Ben and Gaard as they battle, but ultimately plays no role in the outcome, and is instead a meaningless footnote. (Gaard would later remerge as the super-powered villain Vangaard in Fantastic Force, a 1990s FF spinoff that I know virtually nothing about.)


The defeat of Arkon is also perfunctory and unsatisfying. As a character, Arkon never seems fully developed and in this story appears to be like a King knockoff dressed as a barbarian.

Anything else?

A lengthy note in Bullpen Bulletins announced the return of Jack Kirby to Marvel. It says nothing about where he went or why he returned, which is perhaps to be expected, but hints at the creation of the Eternals and notes Kirby will be taking over Captain America.


Overall

Disappointing on multiple levels

“The World’s Greatest Comic Magazine!” Fantastic Four No. 162

15 Saturday Feb 2025

Posted by percivalhenry in The World's Greatest Comic Magazine

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1975, Fantastic Four, Fantastic Four 162, Marvel comics, Roy Thomas

Fantastic Four 162
“The Shape Of Things To Come!”
Published: June 1975
Writer: Roy Thomas
Pencils: Rich Buckler
Inks: Joe Sinnott
Letters: Joe Rosen
Colors: Phil Rachelson
Editor: Thomas
Cover: Buckler and Sinnott

Synopsis

The conflict between three dimensions, which began last issue, escalates and it is revealed that Arkon, the barbarian ruler of yet another dimension, used the apparent businessman Mr. Devoor to goad the three into a nuclear war that will power his planet. The Fantastic Four averts a major inter-dimensional conflict and, following a plan devised by Mr. Fantastic, prepare to thwart Arkon’s plans.


What’s going on here?

After introducing a bewildering number of plot elements over the last two issues, Roy Thomas finally allows things to gel. The story is still convoluted and relies on a lot of coincidences and unlikely occurrences (such as when the Human Torch leads an invading army across dimension, it just happens to arrive on the same Manhattan block as the two Things) but the basic outlines are at least clear. Thomas recognized the mess he created and provides a pair of diagrams to explain the story, something I don’t think I’ve seeing a comic before:

(and as someone who has read both, this is more complicated than War and Peace)

The comic concludes with a preview of the next issue’s villain, the one and only Gaard. I’ll have a lot more to say about Gaard next week, but here’s a peek:

Yes, he’s dressed like a hockey goalie. And yes, Ben makes a reference to Sonja Henie, the Norwegian ice skating Olympian and movie actress.

New credit alert: “Phil Rache” is credited as the colorist on this issue, his first on the Fantastic Four. His full name is Phil Rachelson — I assume it was trimmed for space—and he worked for both Marvel and DC from 1974 to 1981.


What I liked

Thomas does a lot of work in the comic to explain his intricate plot. Not all of it makes much sense, but I did like this detail, that on three dimensions Mr. Devoor used three companies with different names but the same initials (although Reed actually goofs on the name of one, which should be Interlocking Technologies):


I also liked the concept of a meeting of the two Things, one Reed Richards and the other Ben Grimm:


And this was an amusing interaction between Ben and Johnny, who has assumed the mantle of leader of the Fifth Dimension’s army:


What I didn’t like

There is a lot of exposition in the comic, including over this double-paged spread:


Reed acts surprisingly thuggish here:


Anything else?

A somber note in the Bullpen Bulletins about the passing of Artie Simek, who lettered dozens of issues of the FF:


This house ad for subscriptions reveals just how many books Marvel was publishing at the time. No wonder these comics feel like barely controlled chaos. It’s also interesting how many horror, war, western and romance comics were being published (also, can you imagine waiting 10 weeks for the delivery of your first comic?):


These are interesting choices for baseball players, especially since there are 150 in the set. Was Joe Rudi that big a star in 1975?


Overall

A bit of a mess, but fun

“The World’s Greatest Comic Magazine!” Fantastic Four No. 161

09 Sunday Feb 2025

Posted by percivalhenry in The World's Greatest Comic Magazine

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1975, Fantastic Four, Fantastic Four 161, Marvel comics, Rich Buckler, Roy Thomas

Fantastic Four 161
“All The World Wars At Once!”
Published May 1975
Writer: Roy Thomas
Pencils: Rich Buckler
Inks: Joe Sinnott
Letters: Joe Rosen
Colors: Glynis Wein
Editor: Thomas
Cover: Buckler and Sinnott

Synopsis

The comic opens with Mr. Fantastic testing his powers, and concluding they are fading, thus limiting his value to the team. The Human Torch, frustrated with Reed’s decision to sell the FF’s company, journeys to the Fifth Dimension to reunite with Valeria, only to be sucked into a battle with giant robots, apparently created by Reed Richards. Meanwhile, the Thing, on an Earth in another dimension, battles dinosaurs before he is subdued by the Ben Grimm of that Earth. Back on the primary earth (or Earth 1 or Earth 616 if you prefer) Reed and Sue prepare for an invasion from the Fifth Dimension, seemingly led by Johnny.


What’s going on here?

Just when I thought the last issue was peak Roy Thomas, he goes even further. Instead of a story spanning two dimensions, he has now added a third (confusingly called the Fifth Dimension), and each seems to be in conflict with another. Arkon, whom we might have expected to be the primary villain of this arc, has disappeared and the bad guy now seems to be the Reed Richards of the alternate Earth, who is that Earth’s Thing and has apparently sent giant robots to conquer the Fifth Dimension.

The comic is at times confusing — particularly since it backs into the story after a lengthy, seemingly unrelated opening sequence concerning Reed and his powers — but its complexity gives it a welcome richness and it’s crammed with ideas that will reappear in comics again and again. The scene of dinosaurs and vikings running amok, for example, feels like something directly out of Crisis on Infinite Earths, a comic which won’t come out for another 10 years. And the extra-dimensional, evil doppelgänger of a hero is now a recurring device, from Dark Beast to The Maker.


Thomas being Thomas, he can’t help but show off his erudition by dropping a reference to the Elder Edda. He also drops in some snide references to the Distinguished Competition, certainly not knowing he would be working for DC in seven years.


What I liked

Along with the aforementioned depth of storytelling from Thomas, it seems Rich Buckler has upped his game. After a few uninspiring issues, his layouts in this comic are more dynamic, and show an imaginative use of perspective and angles. Here’s a simple sequence with four panels, all with different perspectives that help tell the story:

Here’s another one (also, note how different the dinosaur’s teeth look from the cover):


As mentioned last issue, Thomas has been pulling the FF closer to the rest of the Marvel universe. Here’s another example, where he references Professor X (and frankly, the whole opening sequence, with Mr. Fantastic testing himself in his version of the Danger Room, would have felt at home in an X-Men comic):


There’s some interesting political commentary too, with Nelson Rockefeller president of Earth 2 (I’m just going to call it that). Rockefeller was vice president when this comic was published in 1975, having been appointed to the position by President Gerald Ford after he assumed the presidency when Nixon resigned. Ben’s comment about not voting for Rockefeller or Ford for president of Earth 2 is a bit odd, since no one voted for them on Earth 1 either (or maybe that’s his point).


What I didn’t like

Sue is back on the team, but her role now, as in years past, mostly seems to be fretting. And Reed is again lying to her to protect her.


When Johnny is attacked in the Fifth Dimension, the guards there just happen to have rifles that shoot … ice. Pretty convenient.


Anything else?

The story’s title was borrowed from a short science-fiction story by George Alec Effinger, which is credited by Thomas. I’m not familiar with Effinger’s work, but he was active and prolific from the 70s through the 90s, and wrote some stories for Marvel’s horror magazines in 1972.


Overall

More Thomasian fun

“The World’s Greatest Comic Magazine!” Fantastic Four No. 160

02 Sunday Feb 2025

Posted by percivalhenry in The World's Greatest Comic Magazine

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1975, Fantastic Four, Fantastic Four 160, John Buscema, Marvel comics, Roy Thomas

Fantastic Four 160
“In One World and Out the Other!”
Published April 1975
Writer: Roy Thomas
Pencils: John Buscema
Inks: Chic Stone
Letters: Raymond Holloway
Colors: Janice Cohen
Editor: Thomas
Cover: Gil Kane and Al Milgrom

Synopsis

The issue opens with Arkon, a barbarian warrior from another dimension, and the Thing battling in midtown Manhattan, but Alicia Masters discovers that this Thing is not the man she knows. Back at the Baxter Building, the Ben Grimm of this Earth summons Lockjaw to teleport him to the dimension where the other Thing originated. There, after battling robot monsters and encountering a human version of himself, he discovers he is on the alternate Earth he visited in FF 118, one where Reed Richards became the Thing. Meanwhile, on our Earth, Mr. Fantastic announces plans to sell the Fantastic Four’s holding company over the objections of his teammates, a move that is somehow connected to the alternate Earth.


What’s going on here?

This issue is jam packed, and there’s a lot to discuss. The bottom line, however, is that it’s a really good comic — fun, interesting and suspenseful, the way Fantastic Four comics should be. It’s also irrefutably a Roy Thomas creation, and bears lots of his signatures: an intricate plot, dimension hopping, call-backs to older comics and his insufferable narration. For me, the ultimate validation of this comic is that I was eager to read the next one.

The length of my synopsis above signals the story’s complexity. While a Gerry Conway plot could be summarized in a sentence or two, Thomas’s takes four. The story begin abruptly, and confusingly, with the Thing (so far as we know) battling Arkon, an Avengers villain created by Thomas, and another indication of how Thomas is drawing the FF closer to the rest of the Marvel universe. In another call-back, he then takes Ben to an alternate universe created during Archie Goodwin’s brief run running the comic in one of the most imaginative (and shortest) FF stories, one in which only Ben and Reed took the ill-fated rocket trip, and where Reed becomes the Thing.


All of it is complicated by Reed’s surprising decision to sell the FF’s holding company. The move takes the comic into the world of business and finance, a category of subplot which rarely works out but here seems to hold together. Also, Reed giving himself controlling interest seems on brand for his depictions from this era.

Also of note is the return of John Buscema, here inked by Chic Stone, as artist. It’s only a one-issue fill in, and since Buscema’s work here looks rushed, I’m guessing it was a last-minute thing. Another new credit: Raymond Holloway as letterer, his first and last time lettering the FF, although he worked at Marvel for two decades. As far as I am aware, Holloway is the first Black creator to have a Fantastic Four credit, and you can read a bit more about him here.

Lastly, the cover is by Gil Kane and Al Milgrom. The Hank Aaron reference is an interesting one; by the spring of 1975 Aaron had passed Babe Ruth as baseball’s all-time hime run hitter, and was a big enough star that he could be mentioned on the cover of comic book. While some racist fans mourned the dethroning of the Babe, Ben Grimm clearly wasn’t one of them (and it’s maybe worth noting the Thing on this cover is definitely Ben, not Reed, a bit of misdirection).


What I liked

Thomas has a lot of fun writing Ben, and he imbues him with an intelligence that some other writers ignore in favor of his wise cracking or woe-is-me pathos. This is the version of Ben that is on display in Marvel Two-in-One, the comic he starred in with a guest for 100 issues.

Here, Ben goofs around with Lockjaw:


For some reason, Lockjaw first teleports them to a Ditko-esque dimension, which looks cool but has little to do the story:


Another fun Thomasian flourish was Alicia’s interaction with a cabbie who is spooked to go near the Baxter Building:


The cabbie, of course, is referring to this sequence all the way back in Fantastic Four 1, and the introduction of the Invisible Girl (he dressed a little better in 1961):


What I didn’t like

As always, Thomas is in love with the sound of his own voice (figuratively speaking) and his self-referential narration can get very annoying. Here, for whatever reason, he seems to be making some commentary about the evening TV news:


And here, more unnecessary patter:


Thomas’s intricate, science fiction plots require a lot of explanation, which often means lots of expository dialogue. In some cases, it just about crowds out the art, as in these panels:


Anything else?


In perhaps another sign that Thomas wanted a break from the Conway era, this issue debuts a new Fantastic Four cover logo, just the third in the book’s history.

The first, of course, is the classic 60s logo, designed by Sal Brodsky:



According to longtime comic scholar Mark Evanier, via Todd Klein’s blog, it was inspired by the 1959 Twilight Zone TV show logo and which captured the spirit Stan Lee wanted in the comic.


That FF logo was modified slightly, in part to accommodate the iconic Marvel corner box, which first appeared on the cover of FF 14. By the early 70s, it’s blockier and with shadow, and the letters don’t have the same zany flair, but it’s still recognizably the same.


But that logo was dropped altogether in issue 119, in favor of a blockier logo that perhaps was a better fit for the new cover style which fit the art into a box (and which, for the record, I hated).


The new logo, which will last until issue 218, when it will revert back to the 60s logo, is an improvement over the previous one and has a zingy, sci-fi quality to it. It’s biggest departure, however, is dropping the corer box in far of four portraits of the FF (and maybe Marvel waited for Medusa to leave the team so it could include the original four on the logo).


Also, some fun ads in this comic.

Electroman wants to get you a job! (I wonder if any artist will admit to drawing this)


And is there anything more ’70s than custom van-interior upholstering?


Overall

Comics like they should be!

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“The World’s Greatest Comic Magazine!” Fantastic Four Annual No. 15

“The World’s Greatest Comic Magazine!” Fantastic Four Annual No. 15

percivalhenry's avatar by percivalhenry July 18, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 223

“The World’s Greatest Comic Magazine!” Fantastic Four No. 223

percivalhenry's avatar by percivalhenry July 14, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 222

“The World’s Greatest Comic Magazine!” Fantastic Four No. 222

percivalhenry's avatar by percivalhenry July 5, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 221

“The World’s Greatest Comic Magazine!” Fantastic Four No. 221

percivalhenry's avatar by percivalhenry June 25, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 220

“The World’s Greatest Comic Magazine!” Fantastic Four No. 220

percivalhenry's avatar by percivalhenry June 15, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 219

“The World’s Greatest Comic Magazine!” Fantastic Four No. 219

percivalhenry's avatar by percivalhenry June 7, 2026

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