“The World’s Greatest Comic Magazine!” Fantastic Four No. 155

22 Sunday Dec 2024

Posted by percivalhenry in The World's Greatest Comic Magazine

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1974, Dr. Doom, Fantastic Four, Fantastic Four 155, Marvel comics, Silver Surfer

Fantastic Four 155
“Battle Royal!”
Published November 1974
Writer: Len Wein
Pencils: Rich Buckler
Inks: Joe Sinnott
Letters: John Costanza
Colors: Glynis Wein
Editor: Roy Thomas
Cover: Buckler and Sinnott

Synopsis

The Silver Surfer attacks the Fantastic Four in Central Park, but rather than kill them, he explains in a lengthy flashback how he discovered his beloved Shalla Bal was the captive of Dr. Doom. To save her, Doom demanded that he destroy the Fantastic Four.

What’s going on here?

This is Len Wein’s first full issue was writer of the Fantastic Four and I wish I could say it was a promising debut. It’s not. The entire issue hangs on a tired comic-book cliché — one hero must battle another because of reasons — which in this case makes even less sense than normal. The Silver Surfer, with all his cosmic power and wisdom, is really so smitten by Shalla Bal than he sees no other way to save her but killing his friends? That at no point does he think it might make more sense to enlist the aid of the Fantastic Four and the world’s smartest man, Reed Richards? I’m fairly sure that’s what will happen in the next issue, but it doesn’t make this comic any less tedious. It doesn’t help that much of it is narrated by the Surfer, who, as scripted by Wein, speaks in ornate, purple prose. “So, to the crest of this planet’s highest peak I did fly.” Seriously, why does he talk like that?

What I liked

The opening sequence, where the FF is mugged in Central Park, has a fun, gritty-New York-in-the-70s cinematic quality to it. The muggers look like extras in “Warriors.”

And while we know what’s coming, it’s satisfying to see them get their comeuppance when they attack the Thing:

I liked the Doom reveal at the end, although it was pretty obvious the Surfer was in Latveria:

And this was fun: The Surfer hit Ben so hard he knocked off his shoes

What I didn’t like

For the umpteenth issue in the row, the Invisible Girl plays no meaningful role. In fact, she’s not even mentioned or seen in the comic.

As mentioned above, much of the issue is consumed with the Surfer lengthy and convoluted explanation of why he’s attacking the FF. After he unknowingly arrives in Latveria, he then stumbles across the FF battling robots. They are later revealed to be robots themselves, and the whole sequence ultimately has no bearing on the story at all, but simply serves as padding and a way to squeeze in another action sequence.

Anything else?

There’s a letter to the editor from future comics writer Peter B. Gillis. Also, Jane Starr wants a no-prize for naming her hamster Victor Von Doom.

I kind of want this Holiday Grab-Bag:

Overall

A boring slog

“The World’s Greatest Comic Magazine!” Fantastic Four No. 154

15 Sunday Dec 2024

Posted by percivalhenry in The World's Greatest Comic Magazine

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1974, Fantastic Four, Fantastic Four 154, Marvel comics, Stan Lee

Fantastic Four 154
“The Man in the Mystery Mask!”
Published October 1974
Writers: Len Wein and Stan Lee
Pencils: Bob Brown and Dick Ayers
Inks: Frank Giacoia, Michael Esposito and Paul Reinman
Letters: Artie Simek
Colors: Glynis Wein
Editor: Roy Thomas
Cover: Gil Kane and Giacoia

Synopsis

White returning from their battle with Mahkizmo, Mr. Fantastic, the Human Torch and the Thing are attacked by a mysterious villain, leading to a lengthy flashback from an incident when the Thing and Torch were lured by the same villain into a trap, only for it to be revealed to be Mr Fantastic trying to teach them a lesson. After battling the villain in the present, he is revealed to be Nick Fury testing SHIELD’s new weaponry on the Fantastic Four.

What’s going on here

This is an odd, interesting issue. Most of the comic is a reprint of 1964’s Strange Tales 127, from a run of stories that were nominally Human Torch solo adventures but in this case also included Ben and Reed. It’s a hugely silly story by Stan Lee and very much a Silver Age framing, where a hero tricks a colleague or friend to teach them a lesson (this plot was a staple of a great many Superman and Lois Lane comics from the era). The new framing device is almost as ridiculous, with the reveal that Nick Fury attacked the team over Manhattan to test some new gadgets.

An editor’s note helpfully, and abashedly, explains that regular penciler Rick Buckler couldn’t make his deadline, so new writer Len Wein and penciler Bob Brown stepped into to save the day with the framing sequence. I would love to know whose idea it was to use Strange Tales 127 as the filler issue; I wonder if Stan suggested it.

As I’ve explained, I chose not to include the Torch stories in Strange Tales as part of this blog, mostly because doing so would slow down my advance through the main book (and with 700+ issues to blog, this is a project that is already ambitious enough). But reading this story for the first time makes me wonder if I’ve made a mistake; there’s a goofy charm to these early stories that I miss.

This is Len Wein’s first issue as the FF’s writer. The note suggests this is a regular gig but he only lasts a few issues before returning a few years later. Notably, this issue is colored by Glynis Wein, whom I believe at the time was married to Len, making this the first FF issue with a married couple in the credits.

Gil Kane again did the cover, with inks by Frank Giacoia. One of his better FF covers, I think. The cockeyed angle of the city background adds to the action.

What I liked

Dick Ayers pencils are rough but his layouts have flair, and Paul Reinman’s heavy inks add drama. This is a great panel:

I liked this sequence too:

It’s worth remembering how early in the FF’s history this takes place, coming out around the same month as FF 33. Hence Ben’s appearance wasn’t locked down across Marvel:

Stan’s script is also light and fun, and Ben’s quips are quick and clever. There’s also a nicely poignant sequence where Ben and Johnny thinks they’re about to die:

In an effort to celebrate Jack Kirby and restore him to his place as major contributor to Marvel’s success, there’s been an unfortunate backlash against Stan Lee, to the point where he’s been denigrated as a mere figurehead and flim-flam man who coasted on Jack’s labors. Issues like this, where Jack has no involvement, reveal how talented Stan was at scripting these characters. The first 102 issues of the Fantastic Four were a true partnership between two creative powerhouses. We don’t need to tear down Stan to build up Jack.

What I didn’t like

It should be churlish to point out the goofiness of the two plots in this comic, given one is a Silver Age relic and the other is reclamation job. I will instead note that once again Sue is not in this comic, and she and Medusa are only fleetingly mentioned. There is also this puzzling sequence, and I am legitimately confused by what Ben refers to as “half’a the blamed Thing”:

Anything else?

There is an interesting letter in this issue, calling out a response to another letter in FF 150, where the Dull Competition was mocked for comics that lacked drama and instead told stories about “a reporter, say, whose biggest problem is that some schnook down the hall keeps playing practical jokes on him” — a clear reference to Superman. The irony is that Strange Tales 127 is basically a story about an elaborate practical joke.

In the response in 154, presumably written by Roy Thomas, blame is laid at the feet of Steve Gerber, who would later go on to great heights at Marvel before becoming one of its biggest critics. The two letters are below and are an interesting glimpse behind the scenes at some inter- and intra comic drama:

Also, there are some cool ads in this issue (I’m pretty sure I had that Evel Knievel toy motorcycle as a kid):

Overall

A curious artifact

“The World’s Greatest Comic Magazine!” Giant-Size Fantastic Four 3

08 Sunday Dec 2024

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1974, Fantastic Four, Gerry Conway, Giant-Size Fantastic Four 3, Marvel comics, Rich Buckler

Giant-Size Fantastic Four 3
“Where Lurks Death … Ride the Four Horseman!”
Published August 1974
Plot: Gerry Conway
Script: Marv Wolfman
Pencils: Rich Buckler
Inks: Joe Sinnott
Colors: Stan Goldberg
Editor: Roy Thomas
Cover: Bucker and Sinnott

Editor’s note: As mentioned in my last few posts, I recently discovered four issues of Giant-Size Fantastic Four published in 1974 contained new material, and were not just reprints of back issues as I believed. I am belatedly going back and blogging about them, with this issue, which takes place between FF 150 and 151, being the last that is out of order. We’ll resume with Fantastic Four 154 with my next post.

Synopsis

The Four Horsemen of the Apocalypse, seemingly characters from the Book of Revelations but in actuality aliens, each appear on Earth. The Fantastic Four together defeat Pestilence, then split up to beat War and Famine, before coming together again to conquer Death, all accomplished by triggering a curse-like “protection device” that sends them back to their home world.

What’s going on here?

This is a big, ambitious comic that feels like a classic annual story, and takes 30 pages to tell across four “chapters.” Unfortunately, it’s not that good, with an incoherent plot that tries hard to be profound but ultimately just fizzles out. Structurally it’s similar to the last Giant-Size FF, with the team facing some larger, metaphysical foe and splitting up before reuniting to triumph in the end. But while last issue’s time-travel to colonial New York and gangland Chicago had a goofy charm, there’s nothing much fun about war and famine, and the story can’t bridge the gap between the metaphorical challenges represented by the Four Horsemen and the comic-book realities of needing bad guys to punch.

The script is by Marv Wolfman, who at this point had been in comics for about six years at Marvel and DC, but primarily writing horror comics. This is his first work on the Fantastic Four and he would come back in a few years to have a longish run from FF 194 to 215 before returning to DC and taking on the New Teen Titans.

Giant-Size Fantastic Four also reprints FF 21, an important early story with distinctive inks by George Roussos. Read all about it here.

What I liked

I really did want to like this comic, because I loved the swinging-for-the-fences ambition of it. The Four Horsemen of the Apocalypse is a great concept (thanks, John of Patmos, the exiled ancient Christian who wrote Revelations) and in a comic book world populated with characters like Thor and Hercules, as well as Death and Eternity, they are obvious subjects for comic writers to take on. It’s a great idea for a big, annual-type story. But as discussed, Conway and Wolfman bit off more than they could chew here.

Rich Buckler rises to the occasion here, at least initially, with some of his best FF work, including the great splash page above, and a staggering, double-page splash that follows (pictured above). Unfortunately, his work falters was the book goes on.

I liked this sequence of Ben, in classic never-say-die mode:

There were some nice character interaction, including this one which offers some insight into Reed and Ben’s relationship (the sequence also at least acknowledges Sue’s existence, although she never appears or is referenced again):

Lastly, this was a fun way to end the comic:

What I didn’t like

Rather than simply let the Four Horsemen exist as mystical entities, Conway and Wolfman construct a very complicated backstory for them, which needlessly tangles up the plot. And despite their bluster about rending galaxies, they were very easy for the FF to defeat, leading to a highly anticlimactic ending.

The attempts to use the Horsemen to make some bigger points consistently fell flat and are, once again, a reminder that social commentary in a super hero comics is very rarely successful. For example, here is the introduction to a chapter set in Cambodia, site of a destructive civil are in 1974.

Reed’s subsequent attempts to force a Cambodian boy to eat are almost painful to read (the boy was under famine’s main control):

Johnny and Medusa’s encounters with War are similarly hard to read:

And the FF’s battle with their evil doppelgängers, conjured up by Death, feels pointless and like padding. The concept was done much more successfully in FF 75.

Overall

An unfortunate mis-fire

“The World’s Greatest Comic Magazine!” Giant-Size Fantastic Four No. 2

01 Sunday Dec 2024

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1974, Fantastic Four, Giant-Size Fantastic Four 2, John Buscema, Marvel comics, Watcher

Giant-Size Fantastic Four 2
“Cataclysm!”
Published May 1974
Writer: Gerry Conway
Pencils: John Buscema
Inks: Chic Stone
Letters: Joe Rosen
Colors: Stan Goldberg
Editor: Roy Thomas
Cover: Gil Kane and Joe Sinnott

Editor’s Note: As discussed in my my last post, I belatedly discovered the four issues of Giant-Size Fantastic Four published in 1974 contained new stories worth blogging about here, so I am catching up over the next few posts. This issue takes place between the events of FF 149 and 150.

Synopsis

After completing a test flight in space for NASA, the Fantastic Four crash land in Florida and find the world is now inhabited by primitive ape-men. The Watcher appears and violates his oath (of course he does by) telling them someone invaded the Baxter Building and used Dr. Doom’s time machine to go back in history to disrupt events, changing the course of history (presumably, the FF were not affected because they were off-planet).

The Watcher sends Reed and Johnny back to the Revolutionary War, where they rescue George Washington from the British, and Ben and Medusa to Prohibition Era Chicago, where they stop gangsters from (somehow) preventing the Great Depression. Then, all four find themselves outside time, where they learn an immortal creature named Tempus engineered the events, using their mailman Willie Lumpkin as his agent, to bring about the end of time and cure his boredom. The FF defeat him and return to a restored Earth.

What’s going on here

There’s a lot to like in this comic. It has the fun, zany quality of old Lee / Kirby time-travel stories, and the chapters in revolutionary American and 1920s Chicago are well done. The story loses steam when the FF encounter Tempus, but it’s still an enjoyable read. More so than the last Giant-Size issue, this one captures the feel of an annual — a fun, meaty story outside the flow of the main comic.

Notably, the story also features the return of John Buscema, here inked by Chic Stone, and he does his normal excellent job. The cover is by Gil Kane, with Joe Sinnott’s inks.

What I liked

The sequence of Reed and Johnny rescuing George Washington was a lot of fun, and I particularly liked them sneaking around “a small town in upstate New York in the fall of 1777.”

The encounter with Washington is also satisfying.

Ben and Medusa’s trip to the 20s isn’t quite as interesting, maybe because the FF have been to the 1920s-themes Skrull planet, but it is an opportunity for Medusa to do, you know , something.

For some reason Ben was returned to human form in the 20s, and his reversion back is as tragic as always.

What I didn’t like

The sequence at the end felt forced, and as a villain, Tempus is not terribly impressive. He does show up a few times after this, most prominently in Avengers Forever, but he’s pretty forgettable and doesn’t pose that big a challenge to the FF, who basically beat him by knocking him over.

Also, the revamped timeline doesn’t make a lot of sense. It’s hard to see how the British winning the Revolutionary War and the Great depression being averted leads to sub-human creatures living in Florida. But hey, what do I know?