“The World’s Greatest Comic Magazine!” Fantastic Four No. 57

Tags

1966, Dr. Doom, Fantastic Four, Fantastic Four 57, jack Kirby, Sandman, Silver Surfer, Stan Lee

Fantastic Four 57
“Enter Dr. Doom!”
Published: Sept. 1966
Story: Stan Lee and Jack Kirby
Script: Lee
Pencils: Kirby
Inks: Joe Sinnott
Letters: Art Simek
Cover: Kirby and Sinnott

Synopsis

The main story begins in the middle of the action (in medias res, if you want to be fancy), with the Fantastic Four (minus the Human Torch) fighting the Sandman and Wizard in a prison, as the Thing explains the team were summoned to the prison under a ruse. The Wizard is easily subdued but Sandman escapes. He eventually resurfaces at the Baxter Building, where Reed and Sue fight him (the Thing is off looking for him at this point) and eventually chase him away.

That plot line alternates with another, in which Dr. Doom lured the Silver Surfer to his castle in Latveria. After asking the Surfer to demonstrate his powers, Doom traps him in a devices that siphons his cosmic power to Doom.

Lastly, two other sub-plots are advanced: Johnny and Wyatt continue to teleport around the universe with Lockjaw—this time landing on a planet filled with monstrous creatures before escaping—and in the Inhuman’s city of Attilan, Black Bolt shows signs of life while Maximus the Mad reveals that he could speak the entire time (the powers of his voice has yet to be revealed).

What’s going on here?

Fantastic Four 57 is very much a transitional issue, as Stan and Jack continue to move their chess pieces around in advance of some bigger events. The only traditional story in this issue—one with a beginning, middle and end—concerns the fight with Sandman, and despite some nifty Kirby art, it feels like filler (and it can’t really be said to have a beginning, since it opens in the middle of the action). After seeing the FF fight Galactus, it’s hard to get too worked up about the Sandman.

The centerpiece is of FF 57 is the interaction between Doom and the Surfer. Doom is at his most duplicitous, lulling the Surfer into believing he is a benevolent monarch, then cruelly clamping him in a device that steals his power. It could be argued that this scene is where Doom really makes the leap from a generic bad guy into a truly fearsome villain. Certainly, nothing up to this point suggests he was capable of a plot as ambitious or nefarious as this.

It’s also an opportunity for Jack (and Joe Sinnott) to go absolutely nuts with the Kirby Krackle:

Years later John Byrne recreated this sequence in a flashback in 1983’s FF 258 when Doom once again tried to harness the power of a herald of Galactus, but in that case it was Terrax, not the Silver Surfer.

The sexist sixties

There’s some strange stuff going on with Sue in this issue. Early on, as the FF are recapturing the Wizard, she gives a very grim assessment of the FF’s status quo.

We then get a fairly typical sequence of Reed barking orders and Sue following them faithfully:

Followed by some more worrying and fretting. Every time Stan and Jack’s characterization of Sue seems to have turned a corner, she reverts back to the wingeing, cringing dish towel. Blech.

The incredible Mr. Fantastic

A fun sequence:

It’s Clobberin’ Time

It’s been a few issues since we got one of these.

Let’s talk about us

Ben is watching “The Marvel Super Heroes Show,” a short-lived animated series that ran in syndication in 1966. The stories were taken directly from comics, and the animators used the original art by Kirby, Steve Ditko and Don Heck. You can check it out here.