“The Worlds Greatest Comic Magazine!” Fantastic Four No. 90

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Fantastic Four 90
“The Skrull Takes a Slave!”
Published June 1969
Story: Stan Lee and Jack Kirby
Script: Lee
Pencils: Kirby
Inks: Joe Sinnott
Letters: Sam Rosen
Cover: Kirby and Sinnott

Synopsis

Fantastic Four 90 opens a few minutes after the last issue concludes with the FF regrouping after their battle with the Mole Man in the suburban house from where he planned to launch his conquest of Earth. The Thing begins destroying the Mole Man’s machinery, and when a device is revealed to be booby trapped, he prepares to torture the bound Mole Man to get answers. Mr. Fantastic and the Invisible Girl intervene, and when they release the apparently helpless Mole Man from his ropes, he escapes back to his underground lair.

Ben, disgusted by Reed and Sue’s display of mercy, takes leave, and plans to go into the city to join Alicia.

Meanwhile, the Skrull slaver, last seen in the previous issue, is now on Earth and begins his plans to capture Ben, first disguising his flying saucer, then disguising himself as he looks for Ben in the city. Taking the form of Reed, he lures Ben back to the countryside then immobilizes him with a nerve gun before loading the Thing on to his flying saucer.


What’s going on here?


After an issue in which entirely too much time was devoted to fighting the Mole Man, about half of this issue is devoted to the repercussions of fighting the Mole Man. It’s no more satisfying. There is some character development, particularly in the disagreement between Reed and Ben in how best to deal with their prisoner, and we get another glimpse of Reed and Sue’s yet-to-be-named baby, but most of the issue if devoted to mopping up from last issue or setting the stage for the next one.


Baby talk

Speaking of baby Franklin, this is a cute scene:



Oops

Jack clearly draws Reed in this panel (it’s not just the hair color, but the bandage on his forehead) but Stan scripts him as Johnny. His hair is recolored in the digital version so he looks more like Johnny.


Inflation

The cover price of the Fantastic Four is now 15 cents, up from 12 (this actually happened last issue but I didn’t notice it).


The sexist sixties

Not the most egregious example but still pretty icky.


Topical reference

Midnight Cowboy came out in 1969, so maybe that’s what’s on Ben’s mind.



Ladies and gentlemen, I give you Joe Sinnott


We get letters

Dominic Cabera is clearly a big Sue fan.



For sale

There’s a big focus on muscle building in comic book ads from this era. It’s almost as if comic fans were spindly geeks and not robust jocks.


Dig that Kirby Krackle

No splash pages (asides from the first page) in the issue, but some smaller gems, like these:


Also on newsstands

What other comics were on sale in June of 1969? (Covers by Adams, Frazetta and Kubert)


Next issue: The Thing is enslaved on a Skrull planet!

“The World’s Greatest Comic Magazine!” Fantastic Four No. 89

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Fantastic Four 89
“The Madness of the Mole Man!”
Published May 1969
Story: Stan Lee and Jack Kirby
Script: Lee
Pencils: Kirby
Inks: Joe Sinnott
Letters: Sam Rosen
Cover: Kirby and Sinnott

Synopsis

This issues picks up where issue 88 left off, sort of. The Thing is now at the Richards’ new house and under attack by the Mole Man, when last issue he very clearly was not present. Now he and the rest of the team are blinded and stumble about trying to defeat the Mole Man. The Mole Man has the upper hand until Mr. Fantastic tricks him into damaging his staff, and the Invisible Girl removes his glasses, rendering him helpless. Reed is badly injured, but revived by Ben.

A new subplot introduces a Skull “slaver” who is traveling to earth to abduct an unnamed contestant to compere in the Skrull’s games. Who could it be?


What’s going on here?

I hate to say it, but this issue is a dud. Last issue had a fun set-up and revealed a genuinely surprising villain, but this comic took a turn to the pedestrian. Most of the issue is a simple fight between the Mole Man and the FF and even blinded, it shouldn’t have been that difficult for them to overcome a non-powered human. I can think of half a dozen ways Reed could have concocted to end the fight much earlier, leaving room for a more interesting twist. And not only is there a very obvious continuity error of including Ben in the battle, when he was supposed to be in the city, but Stan and Jack chose not to include Alicia in the story, whose blindness surely would have made the story more interesting. What better answer for a villain who wants to turn the world blind than a character who already is blind?

More interesting was the tease for next issue’s story featuring the skulls. Although just three pages, two were splashes, and together they promised more drama and fun than the turgid story we were reading.


The Space Race

The Skull subplot features a rare Kirby collage—we haven’t seen one of these in a while—and a reference to the Apollo missions, which were building to the first moon landing in a few months.

It becomes more obvious in the next panel:


I love you, man!

FF 89 also features a declaration of Ben’s affection for Reed. It would be more poignant if the outcome —Reed is going to be OK!—didn’t seem so obvious.


The sexist sixties

Sue can’t just fight bad guys like normal hero. She has to be “an uncaged tigress.”


It’s Clobberin’ Time

Even this seems sort of lackluster.


Mid-century Modern

It’s hard to believe Reed and Sue were really going to live in this place, but they brought all their stuff.


We Get Letters

And I thought Doom-stans were a 21st century phenomenon.


Dig that Kirby Krackle!

A couple of great splash pages this issue.

First, the Skull slaver:


Then an iconic image of Johnny:


Also on Newsstands

What else was for sale in May 1969?



Next issue: The Skulls are back!

“The World’s Greatest Comic Magazine!” Fantastic Four No. 88

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Fantastic Four 88
“A House There Was!”
Published April 1969
Story: Stan Lee and Jack Kirby
Script: Lee
Pencils: Kirby
Inks: Joe Sinnott
Letters: Sam Rosen
Cover: Kirby and Sinnott

Synopsis

The Fantastic Four, which now includes Crystal, arrive back at the Baxter Building following their adventure in Latveria and greet Alicia, who is watching the still-unnamed baby of Mr. Fantastic and the Invisible Girl. After a joyful reunion, the team then heads off to inspect the suburban house Sue first visited a few issues ago, and which has featured in some forboding vignettes in subsequent issues.

The house, which is mostly subterranean and unusual in almost every way, emits a low-level buzzing, and seems to affect the eyesight of the FF members, yet despite all that, Reed and Sue buy it and begin to move in. Reed, however, is attacked by the house’s security system when he attempts to drill holes in its walls. It is then revealed the house is connected to the Mole Man and his plan to conquer the surface world by blinding everyone. On the last page, the FF (minus Ben, who is remaining in the city with the baby and Alicia) are blinded as the Mole Man reveals himself.


What’s going on here?

There’s a lot to like about this issue. After the high drama and high stakes of the last four issues, the team needs time to relax at home, and the first few pages show the Fantastic Four as a family, cooing over the baby and gently teasing each other. The house-hunting excursion (which was preceded by hints over the last few issues that something wasn’t right about the house) has the feel of the prelude to a horror story, with an oblivious family stepping into something evil. And Jack seems to have a lot of fun drawing both the extremely modern house, and the clothes the FF are wearing on the visit.

There are, of course, some inexplicable plot developments, like why Reed and Sue buy a house that gives them headaches and blurry vision.

The Mole Man is a genuinely surprising villain (as teased on the cover) and so surprising I forgot he was in it since the first time I read it. His connection to the house isn’t made very clear, and it seems odd that the FF should stumble into a trap he didn’t lay for them, but crazy coincidences are pretty standard for this comic at the point.


Dynamite threads!

Jack drew back-to-back splash pages which both show off the FF’s amazing outfits (what exactly is Crystal wearing?) and create tension as they enter the house.


Domestic bliss

These scenes are quite charming and really drive home that the team is first and foremost a family.


The sexist sixties

Not only do Sue and Crystal serve the men, but they wear frilly aprons to do so. (I am assuming “hot buns” was not a double entendre).


The incredible Mr. Fantastic


Woody Allen

Another topical reference that hasn’t aged that well.


Ladies and gentlemen, I give you Joe Sinnott


For sale

Learn to speak good!


Bullpen Bulletins

A beard survey!


Dig that Kirby Krackle!

Here’s a great sequence:


And some other cool images


Also on Newsstands

What else was on sale in April 1969?


Next issue: The FF battle the Mole Man!

“The World’s Greatest Comic Magazine” Fantastic Four No. 87

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Fantastic Four 87
“The Power and the Pride”
Published March 1969
Story: Stan Lee and Jack Kirby
Script: Lee
Pencil: Kirby
Inks: Joe Sinnott
Letters: Artie Simek
Cover: Kirby and Sinnott

Synopsis

The issue immediately follows the events of the last issue, when the Invisible Girl showed up to save the team from destruction in Latveria. Now, the team—reunited and with Crystal—prepares to take on Dr. Doom in his castle. Doom, however, welcomes their incursion, as he plans to destroy them with a piano that emts “hyper-sound.” That’s right, a super piano.

As the FF crosses the drawbridge, a trap door opens and Sue and Crystal are whisked inside the castle. When the Thing tries to open the door, a booby-trap sends him, Mr. Fantastic and the Human Torch to the castle’s roof, where a “air gun” fires on the Torch. As Ben and Reed battle their way in, Sue and Crystal eventually find themselves before Doom, where he invites them to a feast.

Meanwhile, Doom”s lackey, Hauptmann, has discovered Doom’s portrait artist and art curator is a secret agent of SHIELD, and prepares to incinerate him and Doom’s priceless collection of artwork. Doom is horrified at the thought of his art being destroyed and uses the hyper-sound piano to kill Hauptmann instead. Then, seemingly bored with it all, Doom gives the FF safe passage to leave Latveria and instead of pushing their advantage, the team exits.


What’s going on here

As genuinely suspenseful and thrilling as last issue was, Fantastic Four 87 is as unsatisfying and anti-climactic. The finale of a four-issue arc that brought the FF to Latveria only to be tormented by Dr. Doom, we’ve been primed for a confrontation between our heroes and their nemesis. Instead, we get a plot that turns on an incoherent narrative about Hauptmann and concludes with a fizzle. The ending is reminiscent to the poorly-paced FF stories from the early 60s where Stan and Jack would cram fives pages worth of story into the last page.

Further, much about the story makes little sense. Reed and Doom both maintain the FF are still prisoners in Latveria, but it’s not obvious how; they have their powers back and they are no longer mind-controlled. And then, just as the FF have battled their way into Doom’s stronghold, they seem willing to abandon the fight just because Doom has lost interest. Why not press on and capture Doom?

It’s hard to not to feel Stan and Jack just mailed this one in.


The Feasts of Doom

Fantastic Four 87 features a splash page of Doom welcoming Sue and Crystal to join him with an extravagant feast before him.


Doom hosting his friends, enemies and frenemies with lavish meals has become something of a Marvel comics trope. Here are a few examples from over the years.

Here, Doom surprises Reed at a Empire State University reunion (Doom is a fellow alum, after all):

Fantastic Four 142 (1973, Gerry Conway, Rich Buckler and Joe Sinnott)


At his castle in the Adirondack, he hosts Storm:

Uncanny X-Men 145 (1981, Chris Claremont, Dave Cockrum and Joe Rubinstien)


In Latveria, Ben is offered a solo feast:

FF 380 (1993, by Tom DeFalco, Paul Ryan and Danny Bulanadi)

Doom offers Namor a lesson on the rights of kings over a meal.

New Avengers 24 (Vol. 5) (2014, Johnathan Hickman, Valerio Schiti and Joe Caramagna)


And here he hosts the Savage Avengers after they have triumphed over Kulan Gath (this team’s lineup is extremely eclectic):
Savage Avengers 27 (2021, Gerry Duggan and Patrick Zircher)


Nazis! I hate these guys!

In FF 87, we find out that Doom’s toady, Gustav Hauptmann, was a Nazi who worked for Hitler. (Incidentally, his death in this issue complicates his reappearance in FF 258 (as discussed here) but that Hauptmann was apparently his brother, Gert Hauptmann.)


Mrs. Who?

Crystal initially shows Sue proper respect and calls her “Mrs. Richards” but a few panels later they are on a more familiar basis.


Weird science

Here’s that hyper-sound piano.


It’s Clobberin’ Time

Ben apparently now has super-breath. No sign of X-ray or heat vision yet.


Dig that Kirby Krackle

Another cool Doom splash:

Another postcard from scenic Latveria:


And a cool panel (with lots of credit to Joe Sinnott):


Also on newsstands

What other comics were on sale in March of 1969?


Next issue: Reed and Sue go real estate shopping!

“The World’s Greatest Comic magazine!” Fantastic Four No. 86

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Fantastic Four 86
“The Victims”
Published Feb. 1969
Story: Stan Lee and Jack Kirby
Script: Lee
Pencils: Kirby
Inks: Joe Sinnott
Letters: Sam Rosen
Cover: Kirby and Sinnott

Synopsis

Rendered powerless by Dr. Doom’s hypnosis last issue, the Fantastic Four are trapped in a Latverian village targeted for destruction by Doom’s new robot army (Doom wants to test their prowess). The FF (minus the Invisible Woman, but with Crystal) rally the villagers, and prepare to defend the town as best they can when their powers begin to return as the robots attack.

Meanwhile, Doom secretly concedes the robots are out of control, and might turn on him, but that he has a failsafe device to shut them down. He also has planted explosives under the village, to destroy it if necessary.

Back in the village, the fighting continues when Mr. Fantastic finds Doom’s failsafe device, which he uses to slow the robots. When a last attack by the robots fails, an enraged Doom detonates the explosives beneath the village. The FF and townspeople are saved, however, by a force field created by Sue, who followed the team to Latveria. The issue concludes with the team preparing to take on Doom.


What’s going on here?

This is a really good issue, one of the best of the Lee/ Kirby run so far. It’s taut, tightly plotted and has genuine high-stakes and suspense. It doesn’t have the pyrotechnics of issue 60 or the pathos of issue 51, but in its way it might be better. The FF aren’t just fighting for themselves, but for the villagers, and the outcome is genuinely in doubt. Sue’s appearance feels a bit deus ex machina but it makes sense in the context of the story (and haven’t I been complaining Sue is rarely seen or mentioned lately?) and I was genuinely surprised. Even her appearance on the cover didn’t give it away.

Structurally, the story has a timeless quality — heroes banding together to save a village from marauders. We’ve see it in the Seven Samurai, Lord of the Rings (the Battle of Helm’s Deep) and even Return of the Jedi. It works particularly well here because Kirby contrasts the old-timey Latverian village with the gleaming sci-fi polish of the robots. For what it’s worth, this story arc—called “Within This Torture Land”—ranked 14th among all Fantastic Four stories by a poll of readers at CBR, and sixth among Lee/ Kirby arcs.


Latveria, Sweet Latveria

Jack really seems to dig drawing these quaint European towns. Maybe he took a vacation to Bavaria before he drew these issues. We even get a Latveria splash page.

Jack particularly likes to draw the town from above, the view Doom has from his castle, or looking down the cobble-stoned streets. The uncredited colorist does a great job here, too.


Non-Robotic Robots

As I have discussed elsewhere, Lee and Kirby have a habit of making some of their robots very un-robotic. Here, one of Doom’s standard-issue robot servo-guards seems pretty human, down to the musculature of its (his?) legs.


Weird Science

Instead of just building an off-switch for his robots, Doom instead made this … thing.


The sexist sixties

It feels a bit unfair bringing this up in a issue where Sue is the clear hero, but does Crystal really have to be shunted aside like this? (and womenfolk? really?)


It’s Clobberin’ Time

Well, sort of. Ben never actually say it in this issue.

For a smart guy …

Reed can be pretty dense. Stretching is not flying. Of course the robot would grab his legs. That’s where he left them


Topical references

Spiro Agnew, the Kamala Harris of his era.


Dig that Kirby Krackle

A few more amazing splash pages

Plus some other great images:

Also on newsstands

What else was on sale in February of 1969?


Next issue: The conclusion of the Latveria story arc!

2022: My Year in Books

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(Note: If you frequent this blog for Fantastic Four content, feel free to skip this post. While my personal blog has largely been devoted to my issue-by-issue recaps of the Fantastic Four, I still use it for occasional posts like this.)


For the first time since I started setting annual reading goals, I reached my target of 24, or two a month. That was possible for a few reasons: A, My wife and I took a trip to Germany, which meant lots of time on airplanes, trains and in an Airbnb with no television. B, I was a judge in a business book contest, which meant I had to power through four books in five weeks and C, Somewhat sheepishly, I deliberately chose some short books to balance out some of the longer ones.

As always, the books I read this year were chosen for a variety of reasons. Some I read for work, some have been on my list for years, and some I picked up almost at random. As ever, I aimed for a mix of non-fiction, literary fiction and genre fiction, and I tried to improve the diversity of the authors I read. One regret is that I didn’t read what I would consider a classic. Next year!

Here, in order, are the books I read this year (for illustrations, I do my best to show the version I read, which isn’t always possible):

1, Hyperion, by Dan Simmons (1989)

Hyperion frequently shows up on lists of the greatest works of science fiction and accordingly it had been on my list for a while. It did not disappoint. Hugely ambitious, it borrows the structure of the Canterbury Tales to tell the story of interstellar pilgrims on the planet Hyperion, all with their own complicated stories, and it wrestles with themes of faith, fate, loyalty and duty. There are also many references to the poetry of Keats. The only frustration is that it ends with a cliff-hanger, basically demanding you read the sequel (see below).


2, How Rome Fell, by Adrian Goldworthy (2010)


I don’t recall exactly how I ended up with this book, but it’s possible I grabbed it from the stack of review copies they gave away at Bloomberg, which means I’ve had it for nearly a decade. This is a big, traditional history that marches readers through the second half of the Roman Empire, from about 200 AD to the fall of Rome. Goldsworthy goes emperor by emperor, and 12 months after reading it, they mostly are a blur. What remans is a sense of the precarious nature of power—some emperors lasted only a few years, or months—and the importance of institutions in establishing legitimacy. Rome didn’t fall because of invasion, but from internal decay.


3, Educated, by Tara Westover (2018)

I’d been interested in reading this since it came out, but I decided to wait until it was in paperback. Unfortunately, it was such a big bestseller that took a very long time, but I finally bought it in a LAX bookshop and read it in one sitting on a flight to Hawaii. It wasn’t quite what I expected—I took the title too literally and thought it would be about Westover’s actual education once she reached college after her horrible home schooling. There was some of that, but it’s mostly about her escape from her family’s possessive, abusive clutches. It’s an incredibly vivid portrait of rural poverty, dysfunction and the poison of religious orthodoxy.


4, The Fall of Hyperion, by Dan Simmons (1991)

Instead of neatly wrapping up the events of Hyperion, it’s sequel unravels things further, giving us more backstory about the pilgrims, more world-building that explains the events that led them there, more time travel, and (much) more Keats. The events do reach a conclusion, but Simmons has written several more books that continue the story that I doubt I will read. This was enough.

5, The Anomaly, by Hervé le Tellier (2020)

Another work of science fiction, but so different from Hyperion that it proves how silly these genre classifications can be. Told through seemingly unrelated vignettes, all about different passengers on a flight from Paris to New York, this French novel takes on some big questions about the nature of reality and the purpose of existence. This was a Christmas present from my mother, I think.


6, The Voltage Effect, by John List (2022)

I read this in preparation for an interview with its author, John List, a University of Chicago economist I have been writing about since around 2010. In this book, List attempts to use some basic economic principles to explain why some businesses succeed and scale (achieving the voltage of the title) and why other whither and die. List has worked with a who’s who of companies, from Uber to Walmart, and the book is enlivened by anecdotes from his consulting work.


7, The Years of Lyndon Johnson: The Means of Ascent, by Robert Caro (1990)

Last year I set the goal of reading one of Caro’s LBJ biographies a year until (hopefully) he finishes the fifth and final one. This is the second, and while it’s not as comprehensive as his first, it might be better. It deals with seven momentous years of Johnson’s life as a Congressman, including his (incredibly dodgy) wartime service and his (even dodgier) campaign and election to the Senate in 1948, which takes up most of the book. Caro clearly has a soft spot for Johnson’s opponent, former Texas Governor Coke Robertson, and goes into painstaking detail to show all the tricks, legal and otherwise, LBJ employed to beat him. I have referred to these books the Sistine Chapel of journalism, and I meant it.

8, The Night Ocean, by Paul LaFarge (2018)

I read a New York Times review of this book when it first came out and was intrigued because it concerns the life of controversial horror writer H.P. Lovecraft, whose work I am not quite a fan of but more vaguely fascinated with. When I saw The Night Ocean at our local library sale, I grabbed it. The novel isn’t really about Lovecraft but about story telling, and story tellers, reliable and otherwise. There are many overlapping narratives about various disciples and admirers of Lovecraft, and it all felt a bit more post-modern than I really wanted.


9, Fatherland, by Robert Harris (1992)

This is the first of a series of Berlin-related books I read during my trip their this summer, and it might be the best. Harris takes up a familiar question—what it Hitler had won?—and spins a very compelling police procedural about a reluctant Nazi detective who sets out to solve a murder and gets caught up in a plot with much bigger stakes. It’s not as ambitious as The Man in the High Castle, Phillip K. Dick’s classic of this genre, but it’s more fun to read.


10, The Spy Who Came in From the Cold, by John Le Carré (1963)

LeCarré seems like the quintessential Cold-War spy novelists and this book seemed like the quintessential Cold-War spy novel, so it made sense to read it in Berlin. It’s engrossing, bleak and incredibly intricate. There are plots within plots within plots, and every time you think you understand what’s going on, another layer is revealed. It’s not my favorite genre, but I can understand the appeal. I bought it at Dussmann’s, a great bookstore in downtown Berlin, whose English-language section is better than most U.S. bookstores.


11, The File, by Timothy Garton Ash (1997)

Another purchase from Dussmann’s. Ash, now a high-powered author and historian in the U.K., was a student in East Berlin in the late 1970s. After the fall of the Berlin Wall, he requested the file on him collected by the Stasi, the East German secret police, and he interviewed the various Germans who informed and spied on him. It’s a pretty fascinating book, made much more so because our visit to the Stasi Museum while in Berlin.


12, Between the Woods and the Water, by Patrick Leigh Fermor (1986)

This is the second of three books by Fermor describing the overland trip (mostly by foot) he took from Holland to Turkey as a teenager in 1933 and ’34, but written decades later with an adult’s wisdom and perspective. The first book, which I read maybe 10 years ago, was dazzling, described the first part of his voyage, through Germany and Austria and in retrospect, I probably should have re-read that one in conjunction with our trip, since it was more relevant to our travels.

This second volume, which I mostly read on the flight home, takes Fermor through Hungary and Romania, is equally dazzling. Unlike the first volume, which seems more attuned to the political moment, the second one feels more carefree, as Fermor falls into with successive isolated aristocratic families who are happy to entertain this exotic British schoolboy as he makes his way across Eastern Europe. It’s a poignant picture of a world lost to World War II and communism; in some cases literally, as he visits an island in the Danube which was later covered under 100 feet of water by a Romanian dam.

One side note: The version I took to Germany didn’t have a map, so I amused myself by trying to figure out his itinerary by using the digital Delta airlines map on the seat back in front of me (mostly unsuccessfully). When I got home, I realized that I had two versions the book (one must have been a gift), and the version I didn’t bring had excellent maps of his voyage. Oh well.

13, The Man in the Bunker, by Rory Clements (2022)

Another Dussmann’s purchase, the last of the Germany books I read this year, and maybe the least satisfying book overall. It’s another alternate history, and in retrospect, I think I was looking to capture something as fun as Fatherland. Instead it’s a pretty listless thriller about a British academic and Dutch soldier investigating whether Hitler was really killed in 1945.

14, A Visit From the Goon Squad, by Jennifer Egan (2011)

I picked this up after reading a review of Egan’s most recent book, The Candy House, which is a sort of sequel to Goon Squad. This is the type of book I don’t read much of— its concerns are relationships and individual development and maturity, and it’s set in the ordinary, quotidian world, more or less. Additionally, there’s no real narrative—it’s a set of interlocking vignettes in which the same characters appear over decades. But I really enjoyed it. Egan writes with verve, and the characters and scenes are richly realized.


15, Big Planet, by Jack Vance (1952

I first heard about Jack Vance in a New York Times Magazine article that argued he was an unrecognized giant of science fiction. I’ve read a handful of his books since then and I think it’s a pretty accurate description. This is a short adventure story, but written in Vance’s typically elegant, clever style. It’s not nearly ambitious as Hyperion, but it doesn’t need to be to succeed as a great book.


16, Flying Blind, by Peter Robison (2021)

This was the first of the business books I read as a contest judge and—spoiler alert—by far the best (it won our first prize). Robison, Bloomberg’s Boeing beat reporter, painstakingly explains the chain of failures that led to the Boeing 737 MAX disaster, and spends time with the victims and their families, putting a human face on the tragedy. But he goes much further, situating Boeing’s disregard of safety and its regulatory capture of the FAA, as part of a deeper rot in capitalism, whose origins can be traced to Jack Welch’s rapacious stint as CEO of General Electric. If you only ever read one business book, this is a pretty good one to read.

17, Trillion Dollar Triage, by Nick Timiraos (2021)

Another contest book, and maybe my least favorite of the four. It’s about the Federal Reserve’s response to the economy shutting down for Covid-19, and it’s really a love letter to Jerome Powell, the Fed chair. The book is really a series of committee meetings and the very limited action rarely takes place outside DC. It’s very well reported but felt rushed and after a while all its details become numbing. It’s really a book for hardcore Fed groupies.



18, The Founders, by Jimmy Soni (2021)

The third contest book. This is basically an oral history of the founding of PayPal, which is interesting in that the founders were, among others, Peter Thiel and Elon Musk (heard of him?). It’s well written and very thorough, but the author, Jimmy Soni, seems a little too star-struck and uncritical of what he’s describing. The biggest flaw is there is almost no followup about what all these various characters did after PayPal, and that, ultimately, is why anyone cares about this story.


19, A Shot to Save the World,
by Gregory Zuckerman (2021)

The last of the contest books. Ostensibly about the race to develop a vaccine for Covid-19, it’s really a history of mRNA vaccines and the companies invested in them. As a result, it starts decades before anyone has heard of Covid, and walks through the science in great, and often confusing, detail. To his credit, Zuckerman, a Wall Street Journal reporter, does a good job involving us in the many characters he introduces, but the book often felt like a slog.



20, All Systems Red, by Martha Wells (2017)

After grinding through those business books I wanted something short and breezy, and this was perfect. This very slim book is the first installment in the “Murderbot Diaries” a science fiction series that tells the first-person adventures of an android built to be a security system and who develops freewill. It was fast and fun, and I look forward to reading the rest of the series.


21, The Omega Men: The End is Here, by Tom King and Barnaby Bagenda (2016)

I read a lot of comic books, but I’m too much of a snob to consider most of them literature. This Omega Men series, which I read for the second time this year, is different. The 12-issue series collected here tells the story of the rebellious Omega Men and their fight to free their star system from the oppressive Citadel. But unlike other similar stories, the Omega Men aren’t all virtuous, and their methods aren’t all heroic. The series asks hard questions about ends justifying means, the cost of freedom, and the value of fanaticism. Prior knowledge of these DC comic characters isn’t strictly necessary but author Tom King, who wrote the amazing Mr. Miracle, does enjoy playing with that universe’s second-tier heroes and pulls in a Green Lantern to act as our witness to the horror that unfold.


22, The Invention of Nature, by Andrea Wulf (2015)

This was recommended to me by my father, because like its subject, Alexander Von Humboldt, I, too, attempted to climb Chimborazo, the highest mountain in Ecuador (But unlike Humboldt, I made it to the top. Ha!).

Wulf’s book is a long argument for the importance of Humboldt in the history of science and the study of the environment, and she makes a persuasive case. Humboldt (1769-1859) was a dashing, charismatic figure who was friends with everyone from Goethe to Bolivar, and whose travels to South America and subsequent writings more or less invented the concept of ecology, the idea that natural systems are tied together. Wulf shows how he was centuries ahead of his time in seeing the costs of deforestation, and she devotes chapters to his huge influence on figures including Darwin, Thoreau and Muir. While she’s honest about his flaws—he was a boor who loved the sound if his own voice—she’s clearly enamored with her subject and wants him restored to his proper place in the pantheon of greats.


23, The River, by Peter Heller (2019)

A few people recommended The River to me, and once I realized it was written by the same author as The Dog Stars, which I read last year, I thought I would give it a shot. A brisk, page-turning thriller suffused with vivid descriptions of the natural world, it’s the story of two college kids on a (very) ill-fated canoe trip in the Canadian wilderness. I enjoyed it, but it felt like neither fish nor fowl: The story and its impossibly competent, heroic protagonists was too improbable to take seriously as a novel, but it was too introspective and meditative to read like the sort of Louis L’Amour-western adventure the author clearly admires. Ultimately, I was left with the same dissatisfaction I felt after reading The Dog Stars, which is that the Heller wants to be a respected nature writer, but writes books he hopes will be made into a movies.


24, The King in Yellow, by Robert Chambers (1895)

This was a gift from my teenage son, who knows of my interest in Lovecraft. Lovecraft read this collection of short stories, published in 1895, and seems to have taken some inspiration from some of them. The first four stories all reference “The King in Yellow,” a book-within-a-book that contains horrible secrets that drive men mad (a very Lovecraftian idea), and a few of the stories are genuinely creepy and unsettling. The other stories in the collection vary enormously in style and quality, and the last four or so involve the lives of Bohemian American artists in Paris, which seem autobiographical and are unfortunately pretty dull.

“The World’s Greatest Comic Magazine!” Fantastic Four No. 85

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Fantastic Four 85
“Within This Tortured Land”
Published January 1969
Story: Stan Lee and Jack Kirby
Script: Lee
Pencils: Kirby
Inks: Joe Sinnott
Letters: Artie Simek

Synopsis

Fantastic Four 85 pick up where the last issue left off, with a de-powered FF stuck in Latveria, where Dr. Doom demands they fall in line like the rest of his subjects. The team is rendered unconscious after eating a meal laced with tranquilizers, then subjected to further hypnotic treatment.

Meanwhile, back in the US, the Invisible Girl is house hunting, and is taken to see an unusual, subterranean home with a mysterious provenance.

Back in Latveria, Doom proceeds to test an army of new, seemingly invulnerable robots on a pair of Latverians who attempt to escape. Doom then plans to unleash his new army on an entire Latverian village, where the rest of the FF are trapped.


What’s going on here?

This is an interesting and well-constructed issue. Unlike almost every FF comic that came before it, the Fantastic Four aren’t engaged in battle, not even with each other (the Thing is knocked out in one panel). The only real action sequences come when Doom’s prisoner attempt to flee and they battle his robots. The FF members in Latveria are almost inert, as they are hypnotized and powerless. Much of the comic devoted to Doom and his machinations.

The issue falls in the middle of longer arc, and from a story-telling perspective it make sense to establish the FF’s helpless predicament and set up the following two issues. But it’s definitely unusual for a comic from this era not to show its heroes in action, and I think it speaks to both Stan and Jack’s maturity as storytellers, and their faith that Marvel’s readers could handle a more deliberately paced story.


Speaking of Doom

As with last issue, this arc expands our understanding of Doom and his kingdom of Latveria. It’s very clear this story inspired Fantastic Four 258, a classic comic from 1983 written and drawn by John Byrne that focuses entirely on Doom (the FF never appear in their own comic).

Take, for example, this sequence where Doom is offended by his lackey, Hauptmann:

And compare it to these panels from FF 258:


As for Hauptmann, he makes his final appearance in FF 258:


In FF 85 we also see Doom out of his armor, a very rare occurrence, in an amazing Kirby splash. Doom’s new-found confidence about his appearance did not last long.


The sexist sixties

While the rest of the team is in Latveria, Sue is stuck back in the U.S., looking for a new house where she and Reed can raise their (still unnamed) new son. She looks impossibly glamorous while doing so.

She’s quickly surrounded by a group of kids who look a whole lot like the Newsboy Legion, characters Kirby co-created in the 1940s with Joe Simon, and would reintroduce in a few years in Jimmy Olsen when he left Marvel for DC.


Dig that Kirby Krackle

Along with the above-mentioned splash, Kirby gave us this awesome image of Doom:

Some other cool images:


Also on newsstands

What else was on sale in January 1969? Covers by Adams, Kubert and Kirby.


Next issue: The Latveria story arc continues!

“The World’s Greatest Comic Magazine!” Fantastic Four No. 84

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Fantastic Four 84

“The Name is Doom!”
Published Dec. 1968
Story: Stan Lee and Jack Kirby
Script: Lee
Pencils: Kirby
Inks: Joe Sinnott
Letters: Sam Rosen
Cover: Kirby and Sinnott

Synopsis

After their adventure with the Inhumans last issue, the Fantastic Four—Mr. Fantastic, the Thing, the Human Torch and Crystal filling in for the Invisible Girl—are flying back home through the Himalayas in a “gyro-ship,” a gift from Inhuman king Black Bolt. They are intercepted by Nick Fury and Dum Dum Dugan of Shield, who need the FF’s help with a secret army amassing in Europe. As Fury shows the FF a robot arm sent by a Shield agent, the arm takes on a life of its own, grabbing a gun and blasting the FF before Johnny destroys it.

Reed suspects the robot is the handiwork of Dr. Doom, and the team travels incognito from a neighboring Communist country to Latveria, where their car is quickly destroyed and they are surrounded by Doom’s robots. While Reed urges the team not to fight back—his plan is for them to be captured to learn Doom’s secrets—Johnny attacks when they seize Crystal, and the rest of the team battles back before they are subdued. The team awakens in a comfortable inn, and are greeted warmly by Latverians. Doom, monitoring them, reveals they have been hypnotized into not using their powers

Eventually they are reunited with Crystal in a town square, and only when Reed attempts to escape does Doom warn the FF that they must remain in Latveria as his prisoners, where they must be happy or die.


What’s going on here?

This is a promising set-up for a Doom story, with Doom engaged in his typically sinister machinations, this time with Latveria as the backdrop. While we’ve seen Latveria before, this is the first time the FF (or readers) have spent much time with Latverians, and it adds to the more nuanced view of Doom and Latveria that Marvel writers have developed over the years. Yes, Doom is an absolute monarch and a dictator, but he ensures his people are cared for and happy, provoking questions about security vs. freedom. It’s a bit of a simple construct for political analysis, but hey, it’s a comic book.

There have been too many depictions of Latveria and Doomstadt to count, but they generally use the template established here by Stan and Jack, of a kind of story-book, fairy-tale European kingdom. John Byrne took the ball and ran with it here in FF 258 (from 1983). In Latveria, the men are all strong, the women are all pretty and the children are all above average. Just don’t ask too many questions.

Where are we?

Geographically, we are told in this issue Latveria lies “deep in the heart of the Balkans,” which is more or less consistent with how it’s described over the years and where it’s depicted in a Marvel Universe map from 1987.

Yet here in FF 84 a dissident tries to escape via the sea. At least it looks like the sea. Maybe it’s a big lake.

The sexist sixties

The comic again pays short shrift to Sue and her (still) unnamed baby. Reed at one point mentions he’d like to go home and see his baby, but he is overruled by Nick Fury, who seems to command anyone at will. Well, at least he tried.


Deus Ex Fury

Fury’s appearance here is typical of how he’s used in many Fantastic Four (and Avenger) comics over the years: He shows up briefly, asks he super-team to investigate someting, then vanishes. It’s an effective way to getting the plot rolling, even if it becomes a bit of a cliche.


It’s Clobberin’ Time

Indeed it is.


Red Menace

A reminder that it’s still the Cold War.


Dig that Kirby Krackle

Here’s a totally nuts opening splash page:

Plus another excellent splash:


This is an outstanding page:

And a cool panel:


Also on sale

What else was on the newsstands on December 1968? (Sheng the Savage is not to be confused with Ming the Merciless).


Next issues: In the clutches of Doom!

“The World’s Greatest Comic Magazine!” Fantastic Four No. 83

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Fantastic Four 83
“Shall Man Survive?”
Published November 1968
Story: Stan Lee and Jack Kirby
Script: Lee
Pencils: Kirby
Inks: Joe Sinnott
Letters: Sam Rosen
Cover: Kirby and Sinnott

Synopsis

After the events of last issue, in which Maximus the Mad imprisoned the Inhumans and the Fantastic Four, Mr. Fantastic, the Human Torch and the Thing attempt to escape a sealed room, but can’t because Maximus’s hypno-rays leave unable to fully use their powers.

Elsewhere, as Maximus prepares to unleash his hypno-gun on humanity and conquer the earth, Black Bolt uses his voice power to shatter the glass enclosure, freeing the rest of the Inhumans. Separately, the Fantastic Four breaks free after Reed convinces Ben and Johnny to concentrate and realize they weren’t actually trapped. The three then quickly defeat Zorr, Maximus’s robot, before it can use the hypo-powers that beat them last issue.

The Inhuman and the FF then converge on Maximus, and as Crystal destroys his hypno-gun, Maximus escapes.


What’s going on here?

Fantastic Four 83 is a mostly satisfying conclusion to the events of last issue. It’s full of action, has some fun art, and lots of Ben cracking wise. The Inhumans’ escape seems a bit too easy—surely Maximus would have accounted for Black Bolt’s voice—and ultimately Maximus’s plan is foiled without much trouble. But the story is well paced, and we get a lot of Maximus as a mustache-twirling super villain.

The only big development in FF 83 is we finally see Sue and her baby, three issues after his birth in FF Annual 6. It’s only a few panels, but it’s a sign of life!

Silent Night

Unusually, FF 83 has a long sequence of the Inhumans battling without word balloons, sound effects or narrations. It’s the first time I’ve seen this in the FF, and I wonder if it’s related to Black Bolt’s silence. It reminds me of a sporting event, when the announcers shut up after a big moment (in this case, it was after the Inhumans freed themselves).

Those Wacky Inhumans

Jack clearly has fun coming up with zany Inhuman characters. A centaur, a flying guy, a tree guy etc.


The sexist sixties

This may be the most pathetic example of Sue’s helplessness. I can accept her needing Reed’s help to fight Dr. Doom, but to name a baby????


It’s Clobberin’ Time

These get better and better


Reunited

This is a fun panel


Dig that Kirby Krackle

We get two full page splash pages in this issue. If I’m being honest, I don’t love the Inhumans one – Black Bolt’s proportions seem off.

Some other cool panels

Also on sale

What else was on the newsstands in November 1968?


Next issue: The return of Dr. Doom!

“The World’s Greatest Comic Magazine!” Fantastic Four No. 82

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Fantastic Four 82
“The Mark of the .. Madman!”
Publiched Oct. 1968
Story: Stan Lee and Jack Kirby
Script: Lee
Pencils: Kirby
Inks: Joe Sinnott
Letters: Artie Simek
Cover: Kirby and Sinnott

Synopsis

With Crystal now a member of the Fantastic Four—filling in for the Invisible Woman, who recently gave birth—she tells the rest of the team she needs to secure permission from her family, the Inhumans. But as soon as she speaks it, Lockjaw teleports into the Baxter Building, followed by a horde of Alpha Primatives who capture her and disappear with her and Lockjaw. Back at the Inhumans Great Refuge (still not called Attilan), Crystal discovers Maximus the Mad has subdued the rest of the Inhuman Royal family via his “hypno-potions,” and capturing Crystal was his final blow.

Meanwhile, the three male members of the FF pursue Crystal via the FF’s ICBM, and once they arrive in the Himalayas, they are first trapped in a chamber by Maximus, then attacked, and eventually subdued by a robot called Zorr. The issue ends with Maximus planning to conquer the rest of the Earth. (For what’s it’s worth, the scene on the cover appears no where in the comic).


What’s going on here?

This is a fairly straightforward adventure comic that feels somewhat predictable. It features the return of the Inhumans, so naturally the villain is Maximus, and of course his plan is conquering the world. For the second issue in a row, Sue (and her still unnamed) baby are noticeably absent. I get why Stan and Jack wouldn’t want to bog down a comic with too much domesticity, but part of the FF’s appeal is it’s focus on family. Surely checking in on Sue and her new baby once wouldn’t be too much to ask?

If anything helps this comic rise about the average, it’s Jack’s great pencils and layouts. The art looks better than ever, and as we enter the final quarter of his run on the FF, he’s clearly letting his art air out. There’s more four- and even two-panel pages, and more splash pages, including two in this issue. It wasn’t uncommon to go many issues without a single splash page (aside from the opening page) and now they’re a regular feature.


I’m not a robot

Zorr is yet another very human-like robot the FF have fought in the last dozen or so issues. Along with the Kree Sentry, there was also Galactus’s Punisher, and the Thinker’s Android Man. All had very human-like speech patterns and behaviors (aside from the Punisher, but that was specifically described as half creature, half machine). It’s not clear if this is just a coincidence, or a conscious decision by Stan and Jack, but seems worth noting.


These guys look familiar

The Inhuman Alpha Primatives here look a lot like the Parademons Jack would create in a few years when he jumped to DC.


Oy vey

Another very specifically Jewish reference from Ben (a megillah is literally a scroll from the Book of Esther). Ben wasn’t explicitly identified as Jewish until much layer (not until in 2002). but he was the character that most resembled Jack (both grew up on the Lower East Side etc) and it made sense that Ben to sounds like a New York Jew, whether or not Stan and Jack intended to make him Jewish.


Who?

Reed calls Ben “Benjy” here. Which seems like a mistake.


It’s Clobberin’ Time

A pretty good one, at that.


Ladies and gentleman, I give you Joe Sinnott

More great inks from the master.


For sale

Live monkeys? Seriously?



We get letters

Someone had too much time on their hands


Dig that Kirby Krackle

Along with the great splash pages, there are some impressive smaller panels.


Also on newsstands

What else was on sale in October 1968?


Next issue: Does Maximus conquer Earth?