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Percival Henry: The Fantastic Four and more

~ Blogging the Fantastic Four issue by issue (plus whatever else grabs my attention)

Percival Henry: The Fantastic Four and more

Tag Archives: sci-fi

Very Short Review: Snowpiercer (2013)

30 Saturday Jan 2016

Posted by percivalhenry in Very Short Review

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movies, sci-fi

snowpiercer-movie-poster

I’m late to the cult of Snowpiercer, which had a brief appearance in theaters three years ago, but has had a much longer life in online chat rooms. It’s not hard to see why. Like The Matrix and The Hunger Games, movies with which it shares both aesthetic and thematic qualities, Snowpiercer asks Big Questions while serving up stylish and riveting action. The plot is more metaphor than actual story: in the near future, efforts to halt global warming have plunged the world into a deep freeze. All life is extinct, save the passengers on super train that circles the globe once a year. Like the world of the Hunger Games, society is divided between the haves, who live in decadent luxury at the front of the train; and the have-nots, the grimy rabble packed into the rear of the train, subsisting on a diet of protein Jello. The absurdity of the situation is more or less addressed as the movie unfolds and a band of rebels, led by the reluctant, brooding Chris Evans (surprisingly effective in a non-Captain America role), battles their way car-by-car to the front of the train to seek retribution, or at least redistribution. Despite these narrow confines of story and setting, Snowpiercer succeeds through the vivid, crisp direction of Korea’s Bong Joon Ho, and has enough wrinkles to keep it interesting. The movie’s climax, a confrontation between Everett and the elegant Ed Harris as the train’s creator and engineer, does lurch into some tedious philosophical territory but that’s a failure only of Snowpiercer‘s ambition. The strong cast also features Tilda Swinton as a bizarrely accented enforcer of the social order, and John Hurt as a decrepit Obi Wan Kenobi guiding the rebellion.

Year of Fiction: Leviathan Wakes, by James S. A. Corey

12 Friday Sep 2014

Posted by percivalhenry in Year of Fiction

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Books, fiction, sci-fi

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Among the new statistics taking over baseball is the concept of the “replacement player.” To judge the value of any player, you can measure then against a generic player that might be available to a team as a replacement (hence, the new stat WAR, or Wins Above Replacement). A replacement-level player is basically competent but not outstanding. He won’t do much to hurt you but won’t help, either.

“Leviathan Wakes” is replacement-level science fiction. It’s not terrible, but it’s pretty bland and – time will tell – probably forgettable.

I picked it up on the recommendation of a bookstore clerk in Manchester, and after plowing through some thicker stuff, I was eager for a breezy page turner. “Leviathan Wakes” is set in the not-too-distant future. Humans have spacecraft and have colonized the moons and planets, but haven’t escaped the solar system. The book is the first of a planned trilogy that intends to document mankind’s leap to the stars.

The “author,” James S.A. Corey, is actually the pseudonym of two writers, one of whom is billed as “the assistant to George R.R. Martin,” which explain’s Martin’s breathless blurb on the cover.

The story itself is a lengthy, slightly confusing and occasionally entertaining tour of the asteroid belt, told through the alternating perspectives of an idealistic space pilot and a disillusioned police detective. Their stories converge over an abandoned freighter, a missing woman and a rogue space germ that causes horrifying mutations. The backdrop is an unstable political balance between Earth and Mars that topples into war.

All of this is rich material, but it suffers in the telling. The two main characters too easily fall into genre cliches, the supporting characters are thinly drawn and their milieu of space stations and mining colonies is so standard-issue they seem ordered in bulk from Acme SciFi. (It really suffers in this respect when compared to Heinlein’s Moon is a Harsh Mistress, which has a similar setting, but is far more inventive in creating a unique culture away from Earth). The plot has some twists, and it picks up steam toward the end, but it lumbers on for too long, sagging in the middle. The twin narratives – a device familiar to readers of Martin, and which works in his far-flung narratives – seems unnecessary here, as the two characters frequently cross paths and share the same story.

“Leviathan Wakes” is never outrageously bad, and there are worse ways to pass the time. But it’s hard to root for a replacement player.

Books completed this year:

1, The Man in the High Castle (Dick)
2, Disgrace (Coetzee)
3, The Finkler Question (Jacobson)
4, The Moon is a Harsh Mistress (Heinlein)
5, Beautiful Ruins (Walter)
6, Petropolis (Ulinich)
7, The Caves of Steel (Asimov)
9, Winter in the Blood (Welch)
10, Lena Finkle’s Magic Barrel (Ulinich)
11, The Strange Case of Dr Jekyll and Mr Hyde (Stevenson)
12, Moby-Dick (Melville)
13, The Road (McCarthy)
14, The Corrections (Franzen)
15, Leviathan Wakes (Corey)

Year of Fiction: The Moon is a Harsh Mistress, by Robert Heinlein (1965)

26 Wednesday Feb 2014

Posted by percivalhenry in Year of Fiction

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fiction, sci-fi

Image

I like to have a science fiction book going while I’m also reading something more ambitious – something to read on my phone if I’m caught without anything else to read. I’m fortunate to have a big collection of bootlegged sci-fi ebooks on my phone, and I’ll dip into them almost at random.

In this case, I re-read a book I remember loving when I first encountered it as a teenager. I went through a Heinlein period, starting when I was about 12 with what are known as his juvenile books – titles like Starship Troopers, Tunnel in the Sky and Space Cadet. I loved them – they were fun, escapist stories, perfect entertainment for a bookish kid. Next came his middle period, with books like Moon is a Harsh Mistress and Farnham’s Freehold, which were more challenging, but still satisfying. I moved on at that point, and never made it to his later works, like Friday and The Cat Who Walked Through Walls.

“Moon” tells the story of an uprising of Earth’s lunar penal colony. Neglected and oppressed, the residents of the moon band together to throw off the yoke of the Federated Nations of Earth. The protagonist is Manuel O’Kelley-Davis, a one-armed handyman and, critically, a computer technician who has befriended the moon’s central operating system, nicknamed Mike, which has become sentient. With a small band of collaborators, Manny and Mike orchestrate a rebellion.

Heinlein delves deep into revolutionary theory, the structures of successful insurgencies and the uses of propaganda and media. He describes a quirky, multi-ethnic lunar culture with its own pidgin tongue, where men outnumber women 2:1, making group marriages common, and where there’s almost no government, so disputes are handled informally and troublemakers are thrown out of airlocks.  Most “loonies” make their living as farmers, growing wheat in tunnels and harvesting lunar ice. Earth, by comparison, is crowded, hungry, close minded and bureaucratic.

What seemed like a plausible sci-fi set-up as a kid now reads as Heinlein’s libertarian fantasy. On the moon, the hardy colonialists are literally five times lighter than Earth’s residents, and once they travel to Earth, the heavier gravity pins them down. The book’s heroes are resourceful individuals who survive by their wits and elbow grease, and live by the slogan Tanstaafl – There ain’t no such thing as a free lunch. Their foils are found in committee meetings and congress, academics and politicians who want to “talk-talk” everything to death and derail the revolutionaries’ ingenious plans. This theme can get tiresome.

From the perspective our completely wired, Snowden-informed era, the idea of a central computer that can monitor and manipulate all aspects of society doesn’t seem far fetched, but Heinlein was prescient. In “Moon,” Mike the computer is a childlike innocent, learning how to have a sense of humor, who grows to become the (artificial) face of the rebellion under the tutelage of his well-meaning human friends. But it’s not hard to imagine another book where Mike’s mentors are motivated by less noble goals and where a society free of laws or controls is no paradise.

Books completed this year:
1, The Man in the High Castle (Dick)
2, Disgrace (Coetzee)
3, The Finkler Question (Jacobson)
4, The Moon is a Harsh Mistress (Heinlein)

  • “The World’s Greatest Comic Magazine!” Fantastic Four Annual No. 15
  • “The World’s Greatest Comic Magazine!” Fantastic Four No. 223
  • “The World’s Greatest Comic Magazine!” Fantastic Four No. 222
  • “The World’s Greatest Comic Magazine!” Fantastic Four No. 221
  • “The World’s Greatest Comic Magazine!” Fantastic Four No. 220
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“The World’s Greatest Comic Magazine!” Fantastic Four Annual No. 15

“The World’s Greatest Comic Magazine!” Fantastic Four Annual No. 15

percivalhenry's avatar by percivalhenry July 18, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 223

“The World’s Greatest Comic Magazine!” Fantastic Four No. 223

percivalhenry's avatar by percivalhenry July 14, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 222

“The World’s Greatest Comic Magazine!” Fantastic Four No. 222

percivalhenry's avatar by percivalhenry July 5, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 221

“The World’s Greatest Comic Magazine!” Fantastic Four No. 221

percivalhenry's avatar by percivalhenry June 25, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 220

“The World’s Greatest Comic Magazine!” Fantastic Four No. 220

percivalhenry's avatar by percivalhenry June 15, 2026
“The World’s Greatest Comic Magazine!” Fantastic Four No. 219

“The World’s Greatest Comic Magazine!” Fantastic Four No. 219

percivalhenry's avatar by percivalhenry June 7, 2026

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